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The Enigma of Elune & the Elements

The goddess Elune is known by many names across cultures and even planets; such as Mother Moon, White Lady, Night Warrior, Mu’sha, etc. She has a wide reach across various spheres of cosmology, and her domain seems to at least encompass the arcane, the natural, the astral, the spiritual, and in many unexpected connections–the elemental. It could be that, as Elune is considered a life goddess with some connections to the afterlife, she may have pseudo-elemental expressions of power because they are partially intertwined with spirit. This might explain the physical tangibility, and yet silvery-blue coloring that often manifests within elements of Elunian origin. The following is a collection of curiosities in which the goddess’s influence presents itself in such forms.

Water

The first, most notable link between Elune and the elements would be her thematic ties and manifestations of power within water. An iconic and central piece of Kaldorei culture is the moonwell: it is often the focal point of temples, and a place of respite in the wilds which restores mana, cleanses impurities, blesses armaments, purifies corruption, and even banishes maddened elementals. Dave Kosak, in his development of the Warcraft cosmology, describes the combination of spirit and water as one of the main vehicles for healing; both of which are linked to the outer ring of Nature. An old myth of the Kaldorei Empire described Elune sleeping inside of the Well of Eternity during the day, and rising into the sky as the moon each night. Today, moonwells are established through local wild spirits granting their blessing, a combination of natural and lunar magick, as well as a droplet of eternal waters from another purified well. All of these spheres together (spirit, water, nature, and arcane) encompass the very essence of Elune's moonwells.

Tears of Elune are one of the most recurring themes in relation to the goddess - seen in the pillar of creation, and lesser items scattered throughout the world. We do not know for certain how these tears form; however, there is an implication that they are a manifestation of Elune’s emotions, whether crying tears of sadness, or of joy. These remnants from the goddess seem to possess a myriad of properties the beholder can make use of: the Tearstone of Elune legendary ring has a chance to cast an additional regrowth on targets, Tears of the Goddess from the Hyjal raid slow the player’s falling speed, and Elune’s Tear can ease the symptoms of illness. Mu’sha’s Tears are gathered at the base of a waterfall in Highmountain, which are guarded by fiercely protective water elementals, to eventually be used during a ritual that allows us to witness the events of the War of the Ancients. Interestingly, these specific tears are said to “flow of their own accord,” entirely ignoring the rushing rapids that would normally carry away physical objects or other water currents; which may lend to the notion that Elune’s elemental manifestations are partially comprised of spirit. The Sisters’ Tear, born of Elune and the Winter Queen’s combined power, is yet another example of renewal and lifegiving springing forth from the goddess’s sorrow: which resulted in the growth of the World Tree, Amirdrassil.

Elune is described as having partial influence over the tides, a power that she shares with Neptulon, as evidenced by the Tablet of the Balancing Tides: "The whispers of Elune and Neptulon play on the tides, their words etched in stone are a tribute to the balance of their powers." There is additionally a brief archaeology quest in Throne of the Tides we can pick up from an ancient fountain. Delving into our historical knowledge from reading a Highborne Scroll fragment, we discover that the purpose of this fountain is to confer a blessing called “Waters of Elune,” which specifically increases our damage against the naga while inside the domain of Neptulon, further strengthening the alliance between the two. The goddess also seems to feel a responsibility, or at least have an interest, in purifying maddened water elementals. We see this demonstrated in Moon Priestess Tharill’s questline in Darkshore, who asks us to use a relic called the Orb of Elune; which has the power to soothe and permanently banish these beings back to their plane. This ultimately protects the elementals from the cycle of being resummoned, further manipulated, and driven to madness. As the orb was carried by Tharill just south of Auberdine, this may have been a prized and sacred relic of the town used in banishing angered elementals from the coasts of Darkshore. It would not be the first or only sacred artifact kept here, as Auberdine also once housed the Eye of Elune.

Elune’s aqueous blessings were also a crucial part in the battle of the Molten Front within the Firelands. It seems that somehow, the nature of Elune’s blessings can circumvent traditional interactions between elements. The very existence of a moonwell, or any body of water for that matter inside the scorching plane of Ragnaros, would reasonably evaporate. The fact that this one is able to withstand the extreme heat of the Firelands speaks to a high resistance, if not complete immunity, to the effects of fire. Ayla Shadowstorm explains that the moonwell’s waters can indeed provide some protection against flame, as well as bless the expedition’s food stores. Once the well is filled, small bushes and trees begin to sprout nearby that eventually bear eternal fruits which can be used indefinitely while inside the Molten Front. While it is unclear what role Elune plays in the existence of wisps, these spiritual beings are considered “perfectly suited” to banishing elementals (similar to the goddess herself) as seen in this quest where the wisps aid us in closing the portals of fire elementals.

In the tauren mythos of Eyes of the Earthmother, Mu’sha as she is called, is said to "dance with the waters of the tides," "flow out of shadow’s reach like water," and bind injuries with the powers of water and wind.

Fire

The satyr camp of Sargeron in Desolace, known colloquially as the Palace/Sanctuary/Cathedral/Temple of Elune, reveals an interesting relic that links Elune to the element of fire. Unearthed from the ruins of the temple here, there is a tall runestone monument known as the Ancient Vortex Runestone. It is said that the ancient Kaldorei “revered the gems created by this mystical object, claiming that they were gifts from the goddess herself. It was believed that they were weapons capable of delivering them from any enemy.” As we progress in the questline, we are able to make use of these gemstones, which summon forth a giant firestorm, whose power is strengthened “either through sustained worship of Elune, or charged by spiritual energies of the fallen.”

During the war against the scourge in Northrend, the settlement of Stars’ Rest converted their moonwell to house the liquid fire of Elune, an offshoot of traditional moonwell waters. The very nature of this substance seems to be an oxymoron, combining two opposing elements of fire and water into one. However, if we consider again Dave Kosak’s notes on the life-giving essence of spirit; he links spirit and water with healing, and spirit and fire with holy powers of retribution. The fact that Elune’s liquid fire encompasses spirit, water, and fire then becomes clearer in the goal of this quest: to pour it over the corpses of scourge-blighted animals and cleanse them of their corruption. This essentially combines Kosak’s ideas through healing their bodies and demonstrating a retribution against the unnatural state of undeath. This may also speak to the circumventing of traditional elemental interactions, as the liquid fire of this moonwell (assumedly) prevents the vessel from freezing over.

In Darkshore, a moonkin named Aroom requests our aid in cleansing their corrupted brethren. They task adventurers with slaying a ghost of their kind who wields a relic called Elune’s Torch. After retrieving the torch, Aroom creates a ritual bonfire with the flames from this item, which allows the corrupted moonkin to find rest in the afterlife and “return to Elune, finally.” It could be that these flames of Elune act as spiritual purification, essentially burning away the madness or corruption clouding the moonkin’s minds. The fact that they are able to find peace (after this torch is used to create a larger and more substantial bonfire) may indicate that Elune’s flame acts as a beacon of guidance for the dead, which allows them to more easily move on from the physical plane.

There is also a unique type of silvery blue and purple fire found in Kaldorei settlements, old ruins, and temples that is vastly different from traditional orange, red, and yellow flame. The most intriguing are the braziers found in Azsuna and Tel’anor of Suramar, a necropolis assumed to be abandoned by its groundskeepers. Yet, all throughout the area there are braziers still burning brightly as if just fed with wooden kindling. It is unclear how they are sustained, but this may reinforce the idea that it is not true fire in the typical understanding of the element, but a mixture of fire and spirit together.

Earth

While Elune seems to be more distant from the element of earth than its counterparts, it is interesting to consider her manifestations that appear in traditionally earthbound mediums.

The first is Elunite Ore - ore in general being a naturally occurring rock or stone with valuable minerals inside. Elunite is described as being a fine material to work with, and directly blessed by Elune herself. The nature of Elunite is unclear; we do not know if it is an ore that is blessed by the goddess after its formation, or if Elune has a hand in its creation within the earth. It is not a usable material by miners and blacksmiths, perhaps implying that crafting with Elunite is a rare technique known only to select artisans, Elanaria (the questgiver) being one of them. It could also be that the privilege of shaping Elunite requires performing an act in defense of the goddess’s domain; as Elanaria tells us that in order to make our weapon, we must slay a satyr corrupting a moonwell, and defeat the shade of Elura who has cursed herself to guard her shipment of Elunite ore beneath the waves for all eternity.

The next earthly manifestations of Elune come in the form of gemstones, which traditionally find their origin from “deep in the earth, brought to the surface by explosions of molten rock.” Some are also “crystallized slowly from hot fluids and gases, formed from liquids filtered into cracks and pockets in rock, formed when rocks were heated and pressurized by earth movements, and recombined to form new, different minerals.” It is unclear whether Elunian gems are created similarly, or whether they are perhaps crystallized magic of some kind. As mentioned in the section of Fire, the Ancient Vortex Runestone was said to produce gemstones that Elune bequeathed to her followers here to defend themselves with. Additionally in Winterspring, there is an old altar that once housed a precious relic called the Gem of Elune that allowed direct communication with Her, and through which she “channeled her infinite wisdom.” In Outland, there are also rare jewels called Stars of Elune that can be prospected from various native ores, and dropped by random enemies.

In the Legend of Elun’Ahir, the goddess is said to be one who gifted Eonar with a branch of G’Hanir, a Mother Tree that once existed inside the Emerald Dream. After Aman’thul ripped it from the earth, its roots still grew below ground, nourished by Eonar’s tears: “Below ground, the roots fed upon the tears of Eonar and grew strong. The war was long, but in the end, the titans claimed victory. And Eonar was pleased, knowing Elune's legacy would endure. It is said that much later, as the world entered a new age, mysterious guardians arrived who dedicated their lives to protecting the roots.”

There are also several flowers said to be touched by Elune. One grows in the shadows of Duskwood, called Elune's Grace, which glows with the intensity of the moon and attracts wolves to its location. The flowers required to craft various Blossom Crowns during the Lunar Festival supposedly hold a strong connection to the goddess as well, imbued with a "solemn peace," "Elune's might," "happiness," and "great fortune." Myrael Lunarbloom also wields a staff whose flowers bloom during this time of year, greatly empowered by a moonwell pilgrimage ritual. She even says, "Flowers flourish under Elune's light. She was always known to cherish them."

Air

The Eyes of the Earthmother tells of the goddess’s early mythological origins, and her sphere of influence includes both water and wind. It seems that Elune (Mu’sha in this story) works with the wind most commonly as a means to communicate, and to deliver thoughts, words, and feelings. While the Earthmother slumbers, Mu’sha’s powers were said to be diminished, and she could no longer harness the winds' power since they “whipped up in storms and blizzards.” She is also described as “sharing secrets” with the winds, later sending upon them a plea to the Earthmother. Eventually, the Earthmother is able to find her way back to Mu’sha, because “the winds pulled at her hands, and guided her swiftly to find her Sun and Moon.” After the Earthmother’s sacrifice, Mu’sha pays homage to her by carrying her last words on the breeze for the tauren to hear, as well as setting the winds across the tides so that her voice could always be followed. Mu’sha’s favored weaponry was also said to be the bow and arrow, the efficacy of which is highly dependent on wind flow. Her movements are described as “quick as the wind,” and when her brother, An’she, is severely wounded, she calls upon these forces in an attempt to heal his injury: “Mu'sha tried to bind her brother's wound with water and wind, but no matter what she did, he continued to bleed.”

An in-game connection between Elune and the realm of wind is from a side quest in Darkshore just following the events of the Cataclysm. Sentinel Selarin, at the Auberdine refugee camp, leads the endeavor to eradicate the Twilight’s Hammer wind elementals overtaking the ruins of the town. An arduous process that requires an intricate solution, as the Twilight’s Hammer can continuously resummon the elementals at their command. In order to put an end to this, the elementals must be “slain;” after which we take their bracers, thought to be physical bindings anchoring them to this plane. The way to stop this cycle once and for all is to place the bracers into a moonwell. This act is said to not only prevent the elementals from being resummoned, but completely destroying the bracers as well. While this is not said to “soothe” them like the Orb of Elune, this seems to accomplish the same goal of freeing the enslaved elementals and the remaining Kaldorei.

While not a manifestation of elemental power per se, Elune’s influence upon the winds is also demonstrated in priestesses who channel her power through song; as well as relics like the Chimes of the Moon in Tel’anor: “The Sisters say that Elune sings a song, notes pure and beautiful. The Chime does not ring often, but when it does it is the same note as the one She is singing.” During the War of the Ancients especially, the strengthening magic utilized by the Sisters was invaluable to the war effort, notably through battle chants: “Then, another welcome surprise—chanting came from the center of the advance. The Sisterhood of Elune, resplendent in their battle armor, strengthened the fighters further. Day might have held precedence at the moment, but the priestesses’ rhythmic singing literally fed the nocturnal warriors. It was as if the moon herself suddenly hung over the host.” (Demon Soul, Ch. 8)

While we may think of this magic as under the strict purview of the elementals, it has been said that "Elune’s true nature is not fully understood," and the breadth of her power and influence may be even more vast and complex than initial impressions.

by the light of the moon

"Bowl of Water with Night Sky" 2023 oil painting by David Stanger

“…known under many guises; known under many names; the White Lady, Mother Moon, the Night Warrior; praise be to Elune.” essentially, what if night elves had illustrated folklore books and tried to depict Elune in their stories

Whisperwind by Macarena Kahl

Nearly 10 years of drawing Teldrassil 💜 This zone inspired me to start drawing environments and I will continue drawing it for years to come!

Keeper Nightwish

World of Warcraft | Teldrassil ✨🌙

The Mysteries of Elunite Ore

- Headcanon Speculations -

Elunite Ore, a rare mineral considered blessed by Elune Herself, is one often sought after; and yet shrouded in mystery. As many priests, priestesses, templars, and other devotees of the Goddess may strive to incorporate Elunite into their armaments and regalia, the quest for obtaining and fashioning this material is one that has spanned many lands and generations. This is a compendium on the nature of Elunite from various geologists, theorists, and researchers across Azeroth.

Earthly Origins

The origin of Elunite’s terrestrial formation is not entirely understood by Sisterhood scholars, nor by lithic experts of the world. One of the oldest proposed ideas is rooted in the ancient legend of Elune and the Well of Eternity: that she once dwelled in its depths during the day, and rose into the sky as the moon each night. Due to her strong former connection to this font of arcane power, it is surmised that Elunite may actually be crystallized remnants of the great well; whose leyline rivers once nourished the planet. One theorist believes that because all modern moonwells contain traces of the Well of Eternity, and are damaging to demons and scourgeblight, this could explain the similar holy properties of Elunite. However, others claim that it finds its beginnings as a simple, mundane ore embedded within the earth, which is eventually augmented with Elune’s blessings once it is exposed to the surface and directly shone upon by moonlight. More mythical sentiments say that any ore can become Elunite if the goddess wills it, and that finding it is an extremely rare and divine auspice. It is believed that processed Elunite is a multi-faceted metal whose properties can change depending on imbuement from various moon phases and other major lunar events, such as eclipses. While some think it is ever-shifting, varied accounts of miners and blacksmiths with the remarkable ability to shape Elunite describe that its qualities are determined by the state of the moon on the exact night that the ore is extracted from the earth. Either way, this is a succinct list of their observations:

Full Moon Properties: Bolsters the wearer/wielder’s healing capabilities, and is often inlaid into staves and suturing needles. Full Moon Elunite is also highly damaging to demons and the undead; therefore anyone on a demonic or undead purgation mission may seek out a weapon of this influence to aid in expunging corruption. 

Waxing Moon Properties: Becomes a material which houses additional mana, that can then be tapped into for a small increase in magical reserves until recharged beneath the next waxing moon. Those who carry moonwater or the liquid fire of Elune may opt for this particular metal to house these sacred substances.

Quarter Moon Properties: Contains a natural abjurative energy which is typically used in the creation of Elunite shields, talismans, librams, wards, and armor for those who exercise a more defensive combat style, or wish to protect themselves magically against unholy forces.

Waning Moon Properties: Often the choice for Elunite accessories and other ephemera, which are usually crafted with the eventual intent of Elunarian sacrifice. When an item of waning moon Elunite is offered up, its physical form is completely consumed in exchange for a singular blessing, protection, or spell. Lunar liturgical glyphs or words of power are typically engraved on these accessories with particular spellwork in mind, although a priest/priestess may sacrifice a blank slate piece and incant one spell of choice with a greater potency.

New Moon Properties: It is said that New Moon Elunite is magically similar to the blessing of shadowmeld, allowing for easier camouflage into surrounding environments and quieter movements. Those who wish to make use of the protection offered by chainlinks or armor plates, while still retaining obscurity, may seek to have their regalia crafted with this semi-noise-dampening material. This offshoot of Elunite is additionally often sought after for the creation of arrowheads, shurikens, and other projectiles; as its magick may be utilized for brief invisibility before it dissipates and its physical counterparts reappear.

Solar Eclipse: Solar-eclipsed Elunite is often chosen in the creation of rings (such as archery thumb-rings) that are usually beset with moonstones and other blessed gems, whose imbuements can strengthen one's physical or magickal attacks.

Lunar Eclipse: Lunar-eclipsed Elunite is typically the choice material for divination tools: such as pendulums, scrying mirrors, and spirit-speaking quills. Some also craft ritual daggers with this material for the purpose of collecting flesh to be offered in Elunarian flame sacrifices.

Artisanal Knowledge

Another unknown characteristic of Elunite is how an artisan attains the ability to gather and shape the ore. It seems that precious few across Azeroth have this exceptional privilege, the two most prominent having once resided in the boughs of Darnassus. Elanaria and Mathiel have not been seen since the Burning of Teldrassil, but much can be gleaned from the stories of those who once worked with them. Many miners and blacksmiths are incapable of grasping the techniques surrounding Elunite, which poses some intriguing theories. The simplest is that the secrets of this ore are strongly protected, and seldom taught to others. Another that some have posited, is that the way to gain the privilege of crafting with this mineral requires proving oneself by performing an act of protection or preservation in defense of the goddess’s domain. She then assumedly rewards this deed with the artisanal knowledge of Elunite, or it then becomes malleable to that specific person. Elanaria supposedly tasked her trade partners and trainees with sacred missions such as slaying satyrs actively corrupting moonwells, and ending the suffering of oathbound shades. The late, self-cursed Captain Elura was said to wear a precious medallion, though we do not know if it was of Elunite make. Some theorize it was simply requested as a physical token of proof for the task; while others believe it was Elunite indeed, which is why Elanaria wanted it retrieved. If the medallion was shaped of this hallowed ore, the fact that Elura still wore it even in death may speak to its deep reverence, a spiritual binding property, or a partial immateriality.

Because of its sanctity, and the profound cultural respect for it among Kaldorei, crafting with Elunite may be more common among the Sisterhood of Elune; but still heavily guarded from the rest of the world. It could be that there is a sect of the Sisterhood devoted to sacred artisanry such as this; or, the Sisterhood may commission lay craftsmen who possess the means to Elunite. This material is also said to be utilized in profession tools such as sewing needles for mooncloth tailoring, quill nibs for lunar inscription, and rune rods for Elunarian enchanting. Hippogryph riders of the Sentinel Army, as well as individual riders, may commission blessed Elunite hoofshoes for fortified hind leg attacks, periods of extended wear on the back legs, when the creatures grow old, or are unable to fly; as some claim that they ease pain. Additionally, some equip saber, owl, and chimera companions with Elunite armor, claw/talon caps, and adornments just as they would wear regalia themselves.

In regards to metalworking with Elunite, some theorize that cold working (shaping metal at or below room temperature) may be the superior method as opposed to the extreme heats used with common minerals. Byproducts of Elunite smithing, such as the coal that is left behind from this process, may be used within braziers. It is said that Elunite coals, and the flames that burn from them, are resistant to water quenching; and as such are often used in settlements or outposts with heavy rain and snowfall. The most prevalent theory as to how these fires continue to burn posits that the coals themselves must be open to the skies, as the flames are “kindled,” so to speak, by the energies of the moon each night. Members of the Sisterhood are said to carefully wrap and gift Elunite coals to patrons on various holidays for people to place within the hearths of their home as tokens of spiritual protection and good will. Communal events organized by the order additionally use Elunite coals in cooking fires as an added method of blessing food stores; which some claim temporarily defends against illness, strengthens the body, and fortifies the spirit.

As of today, it is unclear whether or not Elunite can be alloyed. It could be that those who are able to work with the ore simply refuse to do so for fear of dampening its sacred properties; or, its inherent magick may be rendered useless or significantly weaker when alloyed with other common metals. In matters of corrosion, Elunite proves particularly mysterious. It would stand to reason that the goddess’s ties to water might strengthen the ore against rusting and deteriorating over time; although, there have not been any ancient Elunite artifacts recovered as of yet, perhaps implying that the material cannot withstand the elemental ravages of the eons. One possible argument against this is that because the ore is tremendously sacred, there may be ways to reshape or reuse the material; and that is why no timelost Elunite relics have been recovered.

Lore and Legend

Ancient, yet unsupported stories, say that Luminarian was one of the first to uncover the mysteries of Elunite; his name supposedly a pseudonym of sorts to commemorate his luminary works, and the ability to shape this luminous ore. While Elunite was fabled to be the reason for his rise to prominence, many speculate that he eventually abandoned the craft in favor of arcane creations; hence his lasting fame as a magesmith, and as the creator of mythical weapons like Felo’melorn and the Prismatic Blades. It is also rumored that the legendary Ta’Kierthan Songblades may have been forged of Elunite, considering they were crafted by a renowned Kaldorei priest: many of whom employ music and singing in their devotions and spellwork. The art of bardic weaponry seems to be an elusive one, perhaps completely lost to the ages, but nonetheless a technique that Elunarian scholars still seek in the ruins scattered across the lands of Azeroth. Those who traveled through the Dark Portal nearly forty years ago, as well as Draenei refugees, have noted a striking similarity between Elunite and some regalia found on Draenor, as well as others bequeathed directly by the naaru. No one is certain where these pieces are originally from: some claim that they once belonged to adventurers and were merely traded through many hands, while others are convinced that Elune and her blessed ore could have connections to the naaru, and that the ore may be on other planets throughout the cosmos. Elunite-imbued leggings were also recovered from the forest troll stronghold of Zul’aman; though how they got there is anyone’s guess. A commonality between all of these items is an increased critical strike chance, as well as greater potency for both damage and healing via magical spells. Two of the three also provide a passive mana restoration over time (much like moonwells), perhaps owing to the nature of Elunite’s inherent power.

Elune-adore. I was inspired to make a little concept sketch of what I envision when I think about Elune the White Lady, the Night Warrior, and Mother Moon.

For those that maybe don’t know the lore of wow, we’ve never seen Elune and what she looks like. We’ve only heard her voice through her High Priestess Tyrande Whisperwind in Ardenweald. So she’s a mystery to this day.

pixel art stamp concepts!~

Myths of the High Priestesses

- Headcanon Speculations -

The lore and legend of High Priestesses past have largely been lost to the ages; although scattered findings and enduring myths sweep away some of the dust from the buried tales of Elune’s chosen.

Haidene - Bearer of the Basin

Haidene was the first known chosen of Elune in all of the Kaldorei’s recorded history. It is said that she heard the Goddess’s true voice, and as a child no less.

An unsubstantiated legend tells that Haidene heard the will of the Goddess to make pilgrimage across Kalimdor and create the very first independent moonwell for the burgeoning Kaldorei to thrive across the continent, and that Haidene used the iconic basin as a vessel of safekeeping for the blessed waters of the Well of Eternity. Haidene supposedly experienced dire straits on this pilgrimage; she and her kin on the brink of fatal thirst. Haidene gathered what little of their water remained, enough to sustain her for far longer if she chose to drink from it alone. The others pleaded with Haidene to drink deep and preserve herself, for she was the very incarnation of the Goddess. In a selfless act of faith, she cast the basin skyward and beseeched Elune, that she would give herself in body and soul if only it were filled, so her people could live to see another moon, and press on to the bountiful lands ahead. It is said that for her benevolence, Haidene was granted the title of High Priestess by goddess and kin alike. It was on this night that Elune taught Haidene the sacred artisanry of the ever-flowing moonwell, the very same that still persists in her statues today. It is only rumored, but this moonwell could have been the one nestled in the heart of ancient Moonglade, having since flourished into Lake Elune’ara.

Tales that have only endured by way of oral tradition say that Haidene's blessed waters were shared in the first feast of Lahassa during the earliest epoch of the Kaldorei. There are even theories that the sacred Chalice of Elune may have belonged to Haidene, the relic permanently blessed from this momentous celebration made possible by Elune and the land’s combined bounty.

Elunarian archaeologists claim that Haidene may have established the temple in Desolace, known today as the Palace or Sanctuary of Elune. A place so ancient that its real name has been lost and blotted out by demonic desecration. Many of the relics recovered here are thematically linked to Haidene: The Cup of Elune as a relic of physical and spiritual cleansing, and Elune's Handmaiden as a relic of celebrating victory and sacrificial offering. The embers recovered here from Elune’s Brazier may have indeed been borne from an actual flame, or they could be remnants of Elune’s liquid fire; an apt medium for High Priestess Haidene.

Kalo'thera - Ascended of the Stars

Kalo’thera was the next known chosen of Elune, following Haidene. Her name evokes meanings along the lines of “stellar warrior.” Unfortunately, there are no known depictions of Kalo’thera's true likeness; although some choose to stylize her in darkling garbs and armor reminiscent of the new moon, due to purported ties to Elune’s Night Warrior aspect.

It is said that Kalo'thera “ascended to the stars” at the temple of old Hajiri, though these ancient words have not been elucidated further. None now live who remember seeing Kalo’thera’s ascension ritual with their own eyes, but there are a myriad proposed theories as to what this could have meant.

She may have fulfilled all of her earthly duties as wished by Elune, or proved herself an exemplar through astounding feats; and was rewarded with the status of demigoddess for her service as high priestess. Some believe that Kalo’thera now exists as a constellation in the realm of midnight from this divine act, perhaps other demigods and demigoddesses represented in this form as well.

She may have been slain in battle, “ascending to the stars” perhaps referring to her joining the Night Warrior’s embrace along with the other souls of the valiant dead riding across the night sky. The story of this ascension ritual might then be a widespread coverup by those who witnessed Kalo’thera’s true end.

She may have invoked the ritual of the Night Warrior, subsequently being torn apart in body by the wrath of the new moon. Ancient legends speak of the Night Warrior’s power being used as the driving force for carving out the Kaldorei Empire, Kalo’thera perhaps spearheading the expansion with this dark boon to wrest lands from the myriad world powers of the Pre-Sundering age.

Old myths describe a rare and lost regalia, called nightcloth, almost as if an opposing material to mooncloth. This was supposedly worn during the expansion era to better blend into the shadows of nightfall for battle, some claiming by Kalo’thera and the other Night Warrior witnesses. The exact origins and techniques of crafting nightcloth seem to have faded along with history; however, there are speculations that this fell out of favor within the Sisterhood due to the dangerous associated ritual that ended up slaying the invoking avatars, and even onlookers. Kalo’thera may have been the one to engrave the tablets of Bashal'aran describing the Night Warrior and the other aspects of Elune. There is a deep blue, nearly black, flame in the heart of the Ameth’aran ruins as well. Some Elunarian scholars theorize that perhaps its color owes to the Night Warrior’s midnight powers. This flame was later twisted by Athrikus Narassin using a moonstone seal to bind souls in a spiritual prison; curiously still, souls thought to be under the purview of the Night Warrior. Some say that Kalo’thera was the first to be granted knowledge of the Starshards spell by the Goddess, its namesake partially deriving from Kalo’thera. A superstition of the Sisterhood claims that it is Kalo’thera herself who now grants moonpriests this power, crystallizing pieces of starlight and raining them down from the midnight heavens to her earthbound descendants who call upon the aid of the stars.

Dejahna - Zenith of Conviction

Dejahna was the third known chosen of Elune, following Kalo’thera. She was the mentor and predecessor to Tyrande Whisperwind.

Those who braved the Tomb of Sargeras, once Dejahna’s primary temple in life, claim to have seen her incorporeal form. If her spirit is at all reflective of her appearance in life, then Dejahna preferred dark robes, with silver accents and blue gemstones. It may have been customary for a High Priestess to don specific garbs, as Tyrande replies to the news of her appointment to this position with, “I’ll become high priestess—at least until this war is over—but I will keep my present garments—” (Demon Soul, Ch. 17) Dejahna’s darkling robes could also be due to her presiding over the burial site in the depths of the temple, perhaps a ceremonial garb for rites involving the dead.

Some say that Dejahna’s harshness and austerity arose from Kalo’thera as her assumed mentor; others say that an influx of unfaithful Highborne attempting to join the Sisterhood as a last resort was seen as a mockery of the order. Dejahna supposedly then raised the standards of entry to rigorous heights, some dubbing her the Zenith of Conviction for her high expectations from novices.

Given Azshara’s growing distance from the faith, and attempts to eclipse Elune with devotion from her subjects, old rumors claim that Dejahna held a particular bitterness for the queen by the outbreak of the War of the Ancients. This may have been in part due to Azshara’s appointment of her own High Priestess: Siralen of Vashj’ir.

Dejahna’s temple hosted a handful of templars, perhaps this ancient version of a lunar paladin having once been a prestigious rank within the faith.

An ornate vial was recovered from the Cathedral of Eternal Night, whose glass was said to “bear the mark of Dejahna.” It is unclear what this mark truly is, but it could be that each High Priestess, or even priestesses as a whole, have personal sigils rooted in the Elunarian language similar to a common signature. This vial could have been her personal vessel of moonwater, or one of many that she bestowed blessings upon by way of this mark. Considering its name of "Eternal Moon,” this may refer to the blessing or enchantment on the vial lasting eternally or having a resilient quality to its magick; as it did survive the temple sinking to the bottom of the ocean, being raised again by Gul'dan, and being pillaged by demonic forces and adventurers alike.

The upper levels of Dejahna's temple contained the "Hanging Gardens," which were actually tended to by an ancient named Agronox before he fell to corruption. It could be that because this temple was the heart of night elven worship in the empire, an ancient's service in a temple was a rare sight; or, Agronox's existence here could mean that others of his kind served alongside Kaldorei priestesses in other parts of the Pre-Sundering world as well.

Dejahna fell in battle during the War of the Ancients, and named Tyrande as her successor to take the mantle. This is an interesting development, as it would seem like such a position is granted directly by Elune, as seen with Haidene. However, in Demon Soul, Marinda is sent to deliver the message of Tyrande’s succession: “‘Before her death, she named a successor…’ Tyrande nodded. This was to be expected. The new high priestess had, of course, immediately sent out messengers like Marinda to spread the word of her ascension.” This being “expected” implies that naming a successor was a traditional practice in passing on the mantle. Supposedly as Dejahna was dying, she “insisted that only her attendants would know.” (Ch. 17) This could just be referring to healers seeing to her wounds, or it could be that within the Sisterhood at this time, there may have been a specific rank for tending to the High Priestess; an interesting parallel to the handmaidens of Queen Azshara. Marinda also reveals “…that, normally, there would be a ceremony, a long entailed one that as many worshippers as possible would be invited to see.” Elunarian faithful from all over Kalimdor likely traveled great distances to see such a monumental event. This role in general also seemed heavily involved at the time, “leading this chant and that. The temple also held a blessing each evening for the rising of the moon and the good will of the gods. In addition, the leading nobles always had to have some sort of recognition ceremony for various anniversaries and other events…” (Ch. 17)

A final piece of High Priestess lore we learn from Marinda comes from the reasoning behind Dejahna’s choice: “She was of clear mind, sister. And you should understand, she had made mention of you before this. The senior sisters all understood that you were the one…and no one among them argued the decision.” (Ch. 17) This uncovers an interesting dynamic in the old Sisterhood then, that there was at least a dialogue among the senior sisters, if not a democratic process settled through debate around the next chosen High Priestess.

Siralen - The Contended

“Let this statue stand as an everlasting testament to High Priestess Siralen in the name of all she has done to nurture Quel'Dormir Temple into a glowing beacon of faith. May her newfound service under Queen Azshara herself shine as a testament to the potential of the noble birth nurtured in our beloved, Vashj'ir.”

The case of Siralen is a strange one, as she was not passed this mantle from a High Priestess within the Sisterhood – as was tradition. She was instead granted this title by Queen Azshara, supposedly for strengthening the faith of Quel’dormir Temple in the royal city of Vashj’ir. It is interesting to speculate how priestesses across Kalimdor reacted to this decision: whether they saw it to be just as divine an act as being appointed by Elune herself or a current High Priestess, or if they disagreed with a bestowal that strayed so far from the role’s sacred history. Many of Azshara’s epithets insinuate that she was viewed favorably in tandem with the goddess, such as Daughter of the Moon, Flower of the Moon, and Radiance of the Moon. Although, others lean towards eclipsing Elune’s worship, like Light of a Thousand Moons, for example. In any case, the appointment of Siralen then introduces the question of authority, and whether the High Priestess of the Sisterhood was considered of higher, lower, or equal status.

Noteworthy still that her service is “under Queen Azshara herself,” and it could be that this nurtured faith was actually to the Queen, as Elune is conspicuously not mentioned anywhere in this engraving. It also reads, “a testament to the potential of the noble birth nurtured in our beloved, Vashj’ir,” perhaps alluding to a growing and more obvious class divide between the highborne and common Kaldorei; or at least the boundless arrogance of the highborne caste.

Other Notes:

The ancient high priestesses may have each worn a traditional headpiece depicting the Elunian cycle that was passed on through the ages. Tyrande Whisperwind still has this in her possession, and it was noted to have been entrusted to her during the War of the Ancients. -Headpiece of the Elunian Cycle, a quest reward from [Full Might of the Elves]

WORLD OF WARCRAFT • LOCATIONS (85/?) Darkshore (Warfront)

Mooncloth robes, a headcanon

MOONCLOTH, ELUNITE & MOONSTONES

To be a Priestess of Elune is not only dedicate ones entire self to the Goddess but to also strive to serve their people in the various capacities of which that is necessary. Ranging from humanitarian efforts, spiritual guidance or a source of strength during eras of strife. Every aspect of a Mooncloth is able to be utilized by a Priestess in one way or another to amplify their Divine-given capabilities.

Mooncloth

The bulk of the garb is able to be turned into makeshift bandages that can cleanse impurities and/or corruption from wounds. Also if placed over a wound, a Priestess who may find her inner well of magic waning, can magnify their healing magic through the mooncloth fabrics.

Tailors tell that the first recipe for Mooncloth was scribed by Elune herself - Heroes of Azeroth

Elunite

Is most often used for the decorative ornamental workings atop the mooncloth. Elunite is a fine metal that is considerably harmful to Demons and the Undead. It causes harm to these currptive types by mere touch alone. Often Elunite is crafted into weapons for its innate effects against the undead and fel-fused beings.

Elunite ore is incredibly fine and is believed to be blessed by the Mother Moon herself. -The Shade of Elura

Moonstone

In relation to Mooncloth robes, moonstones are most often use to adorn the more decorative Mooncloth robes. Moonstones themselves can be left as offerings for the deceased or at shrines for Elune. Additionally, a Priestess may channel her divine magics through the Moonstone. The stone acting as a conduit of sorts.

A Moonstone is an artifact that is able to causes an eclipse that blocks out the sun and creates an artificial night. -Warcraft III: Reign of Chaos

REGIONAL INFLUENCES

The Kaldorei have a deep connection to the land. They view themselves as much as part of the cycle of nature as the flora and fauna. Priestesses are no exception to this and some may even draw upon the region where they took their priesthood training or their homeland to decorate their Mooncloth Robe.

Winterspring

Priestesses who took host in the snow capped landscape of eternal winter may have Mooncloth Robes that are very decorated with moonstones and Elunite. As if to mimic the regions hoar frost (the sparkles on the snow) or the icicles that dangle from every tree branch. Theirs may also be adorned with feathers to commemorate the regions local Moontouched Owlbeast population. Or fur to line their garbs from a good game.

Darkshore

With the expansive shoreline and near constant overcast, Priestesses from Darkshore may decorate their Mooncloth Robes and decorative adornments with shells. Some even decorate the bodice of their garb with sewn in shells that mimic beadwork. Pearls are also sought after. In some cases a Priestesses may spend years collecting pearls of varying color to mimic the phases of the Moon.

Ashenvale

Within the heavy overhang of canopy are various types of flora. Priestesses who trained here or were raised in Ashenvale may decorate their Mooncloth Robes with Spider's Silk from the webs spun by Wildthorn Venomspitter's. The embroidery may also be decorative in the shape of leaves or local flowers. Often a Priestess may embroider their sleeves with imagery akin to the Purple Lotus which is native only to Kalimdor.

Feralas

With the station of the Sentinel Army residing in Feathermoon Stronghold, Priestesses from the area of Feralas may wear more practical garb. Often forgoing the lengthy sleeves and skirts and wearing a set out trousers with an off hanging Mooncloth skirt. Elunite decorum is also more common here. Including but not limited to pieces that have been crafted to be used as weapons just as they are meant to be worn.

ACCESSORIES

It is not uncommon for a Priestess to wear pieces of jewelry with the intention to always have an offering to Elune on hand. or to leave at a shrine or burial stone of the deceased. A Priestess may also gift an accessory to one whom is enduring a time of strife or unease, intending for them to wear the blessed accessory themselves for good fortune or respite.

CRAFTING A MOONCLOTH ROBE

One does not simply obtain a Mooncloth Robe. A Mooncloth Robe is made specifically for the Priestess who is going to wear it. Once they have completed their trainings within the Sisterhood and are nearing their graduation into Priesthood, a student will begin the necessary preparations to create their own Mooncloth Robe which signifies their station in Kaldorei society as a Priestess.

Mooncloth can be taken from the robes of fallen Priestesses' and repurposed. It's not uncommon for a Priestess to take the Mooncloth from an aunt, mother or sister's robes and refashion them for herself if they themselves have fallen in Battle. To carry on the legacy of their relative or loved one by their endeavors.

Felcloth can be purified by ritualistic ceremony and subsequently makes Mooncloth. This is most common as the ceremony demands that the Priestess collect Felcloth which is adorned by those of Demonic Influence, or demons themselves. The soon-to-be Priestess would set out, either alone or with fellow students, and clear out an infestation of demons. They would then collect the Felcloth necessary for their purification ritual and return to their respective Temple.

Now more than ever the repurpose of Mooncloth is popularized since the fall of the Legion. Some robes are the result of several repurposed Mooncloth Robes.

This headcanon is a culmination of varying ideas spanning over the course of years. This headcanon did not start with me and certainly it won't end with me.

sea shells .🌊 ᭢𓆝˚｡𖦹 𓆟 🐚

Traversing Tel'anor: Legends of Unsundered Kalimdor

Tel'anor, the grave city of ancient Kaldorei, still stands as a monument of ancestral reverence. Many plaques here are illegible, but some have withstood the sands of time, and grant us a glimpse into those who played important roles in the War of the Ancients, or had a lasting impact on Kaldorei culture.

Lilyiana Meadowblade

"Her blade was second to none, and flowed through her foes like a blade of grass dances in the wind."

A legendary warrior famed for her prowess, Meadowblade introduces some interesting concepts about Kaldorei surname conventions.

Considering the myth surrounding her bladework, it could be that she was given this name by others as a token of her mastery, or even took this name for herself; in contrast to the typical passing down of names from one generation to another. We do not know her social status, but a third possibility is that perhaps an ancient custom was to bestow surnames with the idea of prophecy in mind. In times of old, star augurs may have had a hand in reading one’s stellar birthchart, and interpreting omens or premonitions of a newborn’s life path, experiences, or destiny. The parallels between Meadowblade’s name and skills could, from a certain perspective, seem fated for the stuff of legends from the beginning. There was a sentiment in the same vein before the Sundering in regards to Kaldorei born with amber eyes, most of whom with this characteristic were of mythical and powerful stature (Queen Azshara, the Stormrage brothers, Moon Guard sorcerers recruiting those with golden eyes.)

Lilyiana's resting place is in the same pavilion as Dorendil Wildcaller's memorial; though whether they are related in some way is unknown. Perhaps they were life-partners, comrades, friends, or were simply considered of equal reverential status.

Dorendil Wildcaller

"Nature and society called to him alike, and he was one of the first to speak with the hippogryphs. His legacy lives on in our eternal kinship with them."

The quest [Forces of Nature: Hippogryphs] speaks of a legend that "they were created by Cenarius himself as a gift for the night elves. They're wary of other races, but they're intelligent enough to recognize a friend of a friend." Perhaps Dorendil was an ancient naturalist, ranger, or hunter; considering as well his surname of Wildcaller, who proved himself a worthy ally to Cenarius and the forests, similar to Malfurion Stormrage. It seems that Dorendil was able to walk the line between these two worlds - one of the Kaldorei forebears who sowed the seeds of trust between hippogryphs and night elven culture.

General Startalon

General Startalon, one of the finest generals our people has ever known. He commanded the Hippogryph riders during the War of the Ancients.

Startalon's description implies that companionship with hippogryphs is such a long-standing practice in Kaldorei culture, that it extends as far back as the Pre-Sundering age. By extension, it reveals that there was a specific hippogryph rider wing of the ancient night elven military; though whether it was an established force for many years, or created spontaneously during this monumental war, is uncertain. 

These creatures seem to have been integrated into ancient society somehow, as we see with the Leyfeather Hippogryphs. They are described as having been “ancient mounts of the highborne” that possess “latent magical powers.” This begs the question of where this family of hippogryphs originated from: perhaps they evolved into an inherently magical creature due to their proximity to the Well of Eternity, or they were bred/created by ancient Highborne society. Due to their vivid plumage and arcane nature, perhaps these could have served as ceremonial mounts for parades, airshows, and the like to entertain the noble caste prior to the Sundering. Additionally, the hippogryphs of the Moon Guard Stronghold on the outskirts of Suramar may indicate that they were used by these peacekeepers while on guard duty, or even for traveling.

Thaedris also reveals that he meditates near Startalon’s grave for guidance, which may lend to the notion of receiving signs, messages, or premonitions from the act of venerating spirits and spending time in resting places for the dead.

The Windstrikers

"Marksmen without peer, their skill with a bow was an inspiration to generations of archers. Their family developed the gauntlets the Sentinels wear, carefully articulated mail links that empower our archers to this day."

The Windstriker epitaph indicates that they were a well-known name in the realm of archery during the eras before the Sundering as exemplars, artisans or instructors.

The craftsmanship of these ‘carefully articulated mail links’ somehow survived the Sundering, and then the several centuries after until Tyrande established the Sentinel Army we know today. We are not given much detail about what these links are exactly, but there are a few possibilities: they could have been any combination of protective arm guards, gloves, mail bracers, or thumb rings. Since they are described as empowering to archers, there may also be some sort of enchantment or magical blessing involved in their creation as well. Given that these gauntlets carried over into the newly established Kaldorei culture, the magic may have been some sort of heightened vision, strength, or accuracy bestowed by priestesses, druids, or wilderness spirits.

Above their monument is the head of an owl, perhaps hinting at an old heraldic system tying symbols to family names; or that the Windstrikers had a renowned kinship with these birds of the night.

Aelynn and Banlorus Truecaller

"Brave Aelynn and noble Banlorus ruled the battlefields and courts alike. They fell as they lived, protecting our people from threats on all sides."

The wording of this plaque insinuates that Aelynn was likely a renowned warrior, and Banlorus was perhaps a Moon Guard, noble, or other person of high status who held some political sway in the Kaldorei Empire. Their involvement in "the courts" could be the Highborne social circles of old, or possibly courts in reference to areas of law and justice given the wording of “protecting our people from threats on all sides.” The Well of Eternity novel reveals that there was a system of social punishment in ancient Kalimdor, ranging anywhere from exile to outright execution, as evidenced by Malfurion fearing being shunned, which was “the most dire punishment that could be inflicted upon a night elf other than death.” (Ch. 13.)

Arnaera

"In service to a mythical cause, they were a shining gem to our people, giving aid where they could in assisting the populace. Alas, the hammer fell and Arnaera made a journey west. They were reborn in winter's heart, and their grand design continues."

Arnaera's entry is the vaguest of them all, and this grave lies hidden in the riverbed of Tel'anor. It's fun to speculate what this mythical cause could have been: perhaps something in service to the Kaldorei Empire, one of the dragonflights, the Wild Gods, the titans, or some other influential force on Azeroth? The thematic word choice between shining gem, hammer, and grand design feel evocative of jewelcrafting or some kind of artisanry; though they may also just be meant to mythify Arnaera.

'The hammer fell' could be a reference to something involving the Hammer of Khaz'goroth, the sacrifice of Tyr, or a metaphor for some other historical event entirely. The 'rebirth in winter's heart' could be the ancient settlement of Shandaral, modern-day Winterspring, Dragonblight, or the afterlife realm of Ardenweald.

Latara Feathersong

"A huntress of the Sentinels, she led the vanguard in many campaigns. Her bravery and compassion were endless. Anu dorah, I remember.”

Latara is the wife of Thaedris Feathersong, the Nightfallen we meet in Tel'anor who, after 10,000 years of isolation, seeks to free her spirit and reunite with her in the afterlife. It seems that Thaedris was the one to engrave her plaque, though we do not know if this was prior to the War of the Ancients, or in more recent times after the Suramar barrier was lowered. She appears to have held a high station in the Sentinels, yet another reference (alongside the Windstrikers epitaph and Cathedral of Eternal Night) that may allude to an organization of the same name predating the Sundering. Latara may have led the vanguard during the expansion of the Kaldorei Empire, or perhaps in defense against incursions from rivaling world powers such as the myriad troll nations, qiraji, nerubians, klaxxi, earthen, vrykul, mogu, tauren, etc.

During the quest [The Final Ingredient] we retrieve her bow, which "glows with a faint white light" and "has potent magic in it" according to Thaedris. Latara may have been a priestess before her role as a Sentinel leader, her weapon carrying over from this past occupation; as was common with many of the Sentinels in times past.

At the conclusion of Thaedris’s questline, we free the grounds of Tel’anor from a powerful hex that has been taking hold of the grave city. As Latara is released from her suffering as a banshee, she whispers to us, “My mind is… cleared. I will sleep now. Give Thaedris my love.” Perhaps as a final act of gratitude, “a great power enveloped one of the arrows left in her quiver." It seems then, that a spirit can use the very last of their essence to leave behind a blessing or boon in the physical realm; in this case, an arrow laced with Latara’s love for Thaedris.

Not unlike the offerings given to the dead at the memorials here, the departed have their own way of paying respects to the living who honor them, too.

Ande ka bindel kalar'dormir. Anu dorah. (May they rest in the terrace of stars. We remember.)

🌙🩵💟

seashell teapots.

Ashtarel Moonshoal, Sister of the Shore 🐚 Artwork by Firbess

“Min’dorei na’di Lune rae Minn-sharas’shal, anu andas isil rae lura fal.” (Daughters of the Moon and Her tides of night, we are one with silver and sea.) - Binding words of the shoreside sisters, ancient Zoram

Some night elf inspired items I drew for a roleplay event!