yeah x 18(she/her)
59 posts
guys i just had a vivid dream about my guy friend, we weren’t doing anything but we held hands for a long time and i still have intense butterflies… what the fuck does this mean. (i’m literally in a situationship with another guy)
i need advice from the girlies (for a girl who’s never had a boyfriend)
warnings: semi-explicit sexual content (dry humping, clothed orgasms, grinding, heavy making out, public risk of being caught), sexual tension in a workplace/camp setting, emotionally intense relationship, themes of longing, emotional repression, fear of abandonment, bittersweet separation, post-summer heartbreak, crying during/after intimacy, and unresolved romantic angst.
tags: @destinedtobegigi, @bambiangels, @pittsick, @talsorchard, @angeldoll1e, @itachisank, @tennisprincess, @lexiiscorect, @esotericgirlwannabe, @lovefaist, @won-every-lottery, @zionna
notes: hi lovelies! if you’d like to see more of camp counselor!patrick, i’ve created a c.ai bot of him (which actually inspired the making of these headcanons, fun fact). you can talk to him here :)
⟡ patrick kissed you for the first time in the craft shed, mid-storm, with your walkies hissing static in the background and the kids finally asleep in their sleeping bags like fragile bombs. it was supposed to be a quick, stupid thing—just to get the tension out. you grabbed his shirt. he pressed you against the wall like he’d been waiting weeks for permission. his hands didn’t even move at first, just held your face like he needed to memorize it. you kissed like you hated each other for how badly you wanted it. and when he pulled back, breathing hard, he whispered “you’re killin’ me, you know that?” and you hated how soft it made you feel. like maybe you wanted to kill him. or maybe you didn’t want anyone else touching you like that ever again.
⟡ you never fully fuck. the risk is too high. the kids are too close. your jobs matter too much. but that just makes everything worse—or maybe better. it’s all breathless makeouts in dark corners of the mess hall. his hand up your camp shirt during movie night in the rec lodge. dry humping behind the canoe racks while you’re both supposed to be organizing life jackets. he gets off on how quiet you try to be—his hand over your mouth, his teeth grazing your shoulder, both of you rocking together in the dark like you might combust if you stopped. sometimes you come just from grinding, from the thick press of him between your legs and the frantic rhythm and the way he tells you “fuck, you’re shaking—i’ve got you, you’re okay, keep going.” it’s obscene how good he is at making it feel like enough.
⟡ patrick isn’t supposed to like you. not someone who lives by laminated schedules and has a spreadsheet for sunscreen reapplication. but god, he’s addicted to you. you make the whole camp run like a machine and still find time to tie friendship bracelets with your girls before bed, or sneak extra marshmallows to the picky eater in your cabin. he watches you from across the field like a boy in love with the sun. sits with his first-graders during campfire night but only half-listens, eyes flicking to you as you shush your cabin, tuck stray curls behind your ears, bite your lip when someone sings off-key. you’re so put-together. so in control. and he wants to ruin that. wants to hear your breath hitch when he kisses your neck behind the arts building. wants to see your clipboard hit the ground because his hand’s down your shorts again. wants you to lose control—for him.
⟡ it starts as lust. of course it does. you roll your eyes at his jokes and mutter under your breath when he’s late to flagpole duty again—but every argument ends with him leaning in too close, smirking like he knows. and maybe he does. the way you start lingering near his cabin at night. the way you wear his hoodie one day “by accident” and don’t give it back. but somewhere between shared debriefs and early-morning setup shifts, it shifts. he starts bringing you snacks. starts leaving notes in your fanny pack like: you forgot your smile. i found it. -p or i stole you a popsicle. come find me. and you do. every time. it’s not just adrenaline anymore. it’s affection. familiarity. you start to know each other’s footsteps. moods. soft spots. he lets you see his softness without irony. and that terrifies you.
⟡ the campers love him. of course they do. he’s barefoot half the time, sunburned, trailing kids like a one-man parade. makes fart jokes. pretends to be a swamp monster. teaches them how to fish using gummy worms. they call him “coach p” even though you don’t have sports teams. and you hate how good he is at this. how easily he connects. how quickly kids go from sobbing to giggling with one dumb face or story. you run a tighter ship. you enforce quiet hours, give the best hugs, braid hair and bandage knees and write postcards to homesick girls so they feel like they matter. you’re the safe one. he’s the fun one. opposites. and somehow, it works. he teases you about being the “camp mom,” but you catch him watching you across the playground like he’s already imagining you holding his kid one day. he doesn’t say that out loud. but you feel it.
⟡ after lights out, he sneaks into your cabin through the back. not every night. but enough that you start sleeping on the left side of the cot automatically. you kiss with the urgency of people who might get caught. thighs tangled. teeth clashing. breath stolen in pieces. sometimes he just lays there, hand under your shirt, fingers slow on your ribs like he’s trying to map you. he talks softer here. asks about your family. your old job. why you came to camp in the first place. “what are you running from?” he asks once, into your shoulder. you pretend you didn’t hear him. you’re not ready to answer that. and he doesn’t push. just kisses the curve of your neck and pulls you closer.
⟡ dry humping with him isn’t a compromise. it’s a sickness. you’re both fully clothed, rutting against each other like desperate teenagers—panting, whispering, biting back moans in the dark. he grinds down hard, cock thick and leaking through his boxers, and you clutch at him like it hurts to be touched. your thighs get sticky. your shirt gets pulled halfway up. sometimes you come in your underwear with him barely touching you—just from how intense he gets. how he presses his forehead to yours and murmurs “you’re so wet like this—jesus, baby, you gonna come for me just like that?” and you do. and you can’t even feel embarrassed, because he’s coming too, hips jerking, cock twitching against your thigh like he’s been aching for you all day. because he has.
⟡ sometimes, after cleanup duty, he corners you in the kitchen. flicks off the light. lifts you onto the counter and stands between your knees like he owns the space. kisses you so slowly it almost hurts. tongue sliding lazy and wet against yours. hands tracing the shape of your waist like he’s not in a rush for once. “you’re the only reason i get through the day sometimes,” he admits into your mouth. and you don’t know how to answer. so you just pull him closer. and kiss him like you believe it.
⟡ the sneaking around gets easier. muscle memory. you both know which counselors leave which patrols and when. which spots stay dark the longest. you pass each other little smirks during meals, casual touches that mean meet me later. and it’s exciting. addicting. it feels like a secret universe just for the two of you—where your rules don’t apply and his bad habits don’t scare you and everything in the world stops mattering for a little while. until the sun comes up. until the whistles blow. until you’re back in your polos, pretending nothing happened, pretending you don’t miss his weight behind you.
⟡ patrick makes you laugh in the middle of moments you’re trying to be serious. mid-counselor meeting while you’re trying to propose a new bug spray schedule, he leans over and whispers “you’ve got a power complex and i support it.” you shove him. he grins like a child. but later, he shows up to your bug spray training and helps the kids fill out their logs. even makes a joke about mosquitos being “nature’s way of checking if you’re paying attention.” he teases you like you’re a joke. but treats you like a miracle. you hate it. you love it. you don’t know which is worse.
⟡ one night, you’re both out late walking a homesick camper back to their bunk. the kid holds your hand. patrick holds a flashlight. and when the kid falls asleep, curled between their stuffed animal and your knee, you both sit there. in silence. until patrick says, “i think i could do this. like—this. forever.” and you look at him. really look. not the barefoot troublemaker or the secret hookup or the guy who knows how to kiss your neck just right. just him. raw. tired. maybe a little afraid. “me too,” you whisper. and it feels dangerous. it feels real. it feels like the kind of thing you don’t come back from.
⟡ patrick never wears shoes. like, ever. he says it’s a “grounding practice,” but you’re 90% sure he just hates laces. his feet are perpetually dirty, half-burnt from the blacktop, always scratched up from god knows what—sticks, rocks, one infamous lego in the arts cabin. you make fun of him for it constantly. he calls you “foot-shamer general” and bows dramatically whenever you scold him. but then he gets a splinter and limps around for half a day and you end up crouched in the nurse’s station, tweezers in hand, while he pouts and calls you “florence fuckin’ nightingale.” you don’t smile. not out loud. but when you rub ointment into his arch, he exhales like your hands are made of fire.
⟡ patrick is always snacking. like constantly. he’s the kind of guy who has sunflower seed shells in every pocket, and a crushed granola bar melted into the lining of his backpack. once you caught him eating an entire packet of mini Oreos behind the cabins at 9am. when you stared at him, horrified, he just grinned and said, “i’m on the patrick plan: five meals, two breakdowns, and a little sugar every hour.” and it would be ridiculous—should be ridiculous—but then he starts bringing you snacks. peanut butter crackers when you skip lunch. little cups of gatorade when you look tired. he never says why. just hands it to you and walks away.
⟡ you’ve never seen anyone make kids laugh like he does. he’ll trip over a tree root, fall into a mud puddle, and still turn it into a game. his group is always in chaos—missing shoes, crooked name tags, one kid trying to eat a bug—but they worship him. like he hung the moon. and it drives you insane. because he lets them get away with everything. but he also remembers all their birthdays. carries bug spray for the ones with sensitive skin. draws secret tattoos on their wrists with marker so they can feel brave during nature hikes. you can’t even hate him for it. because he’s good. stupidly good. in a way that makes you ache.
⟡ you both learn each other’s bodies like a survival skill. where he likes to be scratched. the spot on your inner thigh that makes your hips twitch. how to kiss without leaving marks. how to slide hands under shirts without rustling too much fabric. he knows how to undo your bra with one hand. you know how to straddle his lap without messing up your bunk. he’s a master at unbuttoning your shorts just enough to slip his hand in, fingers warm and rough and so good while he kisses you slow and deep like there’s no one else on the planet. and when you come, gasping into his neck, he holds you there. murmurs your name like it’s something precious.
⟡ sometimes, when you’re doing head counts, he’ll sneak up behind you and whisper the wrong number just to mess with you. “twenty-four, baby. we lost one. check the lake.” you threaten to kill him. every time. but he’s already laughing, ducking away, and god—god—you love him. even when you hate him. maybe especially when you hate him. it’s easier than saying the real thing. than admitting it’s not just a fling. not just camp hormones. it’s him. it’s always him.
⟡ on a hot july night, the two of you end up swimming in the lake after hours. no lights. no one watching. just skin on skin and silence. you float on your back. he watches you like you’re something rare. precious. “you ever think about next year?” he asks. and you hate the question. because of course you have. and of course you haven’t. and everything feels too fragile to say out loud. so you just splash water in his face and tell him to race you to the dock. he lets you win. barely.
⟡ he knows when you’re stressed. doesn’t ask. doesn’t prod. just finds you. hands you a popsicle. leads you to the dock. doesn’t say a word until your breathing slows. then he leans in and says something so stupid—so insufferably funny—you end up wheezing. head in your hands. tears in your eyes. and he’s just sitting there watching you, face soft with something dangerous. something that sounds a lot like forever.
⟡ there’s a spot behind the camp kitchen where the staff sometimes sneak cigarettes. you don’t smoke. he does. but you start meeting him there anyway. sometimes he just presses you into the wall, kisses you until your lips are raw. sometimes he just talks. tells you stories about foster homes, old bands he used to love, that one time he thought he could live in his car. you listen. every time. and when he exhales smoke into the air and mutters “i don’t think i’ve ever felt safe like this,” you don’t say anything. you just hold his hand. and hope it’s enough.
⟡ patrick’s hoodie smells like sunscreen and grass and cedarwood soap. you wear it more than he does. he pretends not to notice. but one night, you give it back. folded. clean. and he looks at you like you just ended something. you can’t explain why it hurts so much. but later, when he shows up at your cabin, he’s wearing it. and when he kisses you, it’s deeper than usual. slower. like he’s begging you not to leave first.
⟡ the kids figure it out way before either of you admit anything. it starts small. one of your campers catches you smiling at patrick during breakfast lineup and immediately starts whispering about it like it’s breaking news. another swears they saw him looking at you during talent show night with “googly eyes.” suddenly there are questions. “do you like coach p?” “do you think he likes you back?” “if you got married would we get invited??” you deny it. every time. cool. calm. collected. until one of the boys from his cabin asks patrick, dead serious: “if you kiss miss [your name], do you have to sign a form or something?” and he chokes on his juice box.
⟡ your campers start acting weird about it. suddenly you’re being paired with him for every buddy activity. he’s always the first one they vote to sit with you during meals. one of the girls makes a beaded necklace with both your initials and gives it to you, just beaming. “it’s for luck.” you wear it under your shirt. patrick finds it later when he’s got his hands up your back, and you feel him stop. go still. “this mine?” he murmurs. and when you nod, he presses his mouth to your collarbone like a thank you.
⟡ the final week is crushing. your schedule’s full of extra activities and farewell events and everyone’s overtired and overstimulated—but it’s not just exhaustion. it’s grief. because every day is a countdown now. every shared glance with patrick. every lunch tray passed. every secret kiss behind the maintenance shed. every time he passes you the walkie with his fingers brushing yours. it’s all starting to feel like goodbye.
⟡ you and patrick start holding onto each other longer at night. not talking. not even kissing sometimes. just curled up together in your bunk, breathing in sync. he strokes your spine with the back of his fingers and whispers things you’re not sure you’re meant to hear. “wish i met you earlier.” “you feel like home, you know that?” and worst of all: “you think we’ll be like…okay, after?” you don’t answer. you just bury your face in his neck. pretend time doesn’t exist.
⟡ the last night of camp, your kids do skits and cry and give each other bracelets and someone plays “riptide” on ukulele again even though no one asked. patrick’s sitting on the bench behind your group, legs spread, arms around two of his boys who are both pretending they’re not crying. you catch his eye. he mouths: “you okay?” and it breaks you. because no. you’re not. but you nod anyway.
⟡ you sneak away after lights-out. meet him down by the docks. it’s chilly. the lake’s glass. he’s already sitting at the edge, feet in the water, hoodie up, face unreadable. when you sit beside him, he doesn’t say anything. just leans over, head on your shoulder. “can we not talk?” he asks. “just…be here?” and you stay there until sunrise. neither of you say a word.
⟡ the kids give you goodbye letters. glitter pens. tissue flowers. one of them writes “i hope you and coach p get married. he looks at you like my dad looks at my mom in old photos.” you read it in the storage closet. alone. and cry so hard you choke.
⟡ patrick doesn’t do goodbyes well. he makes jokes. high-fives. spins a camper over his shoulder and calls it a “final swirl.” but you can tell he’s unraveling. later, after dinner, he corners you behind the lodge. “i don’t know how to not see you tomorrow,” he says. voice thin. “i don’t know how to wake up and not look for your dumb clipboard and your ponytail and your bossy little voice telling me to shut up and act right.” and you kiss him before he can finish. slow. quiet. ruined.
⟡ the morning everyone leaves, it’s chaos. suitcases. hugs. snot. sobbing campers. last photos. your hands are shaking. his too. he loads up the last van, then just…stands there. doesn’t even look at you at first. just wipes his mouth like he’s trying to pull it together. “don’t forget me,” he says. and it’s not fair. it’s not fair. because you won’t. not in a million years.
⟡ after the buses are gone, you find something in your cubby. it’s his bandana. the red one he always wore tied around his neck or arm or forehead like a cartoon cowboy. it smells like cedar and lake water and sweat. there’s a note with it. not long. just:
for the next time you miss me more than you should.
—p.
⟡ the first week after camp, everything hurts. you fold laundry like you’re in mourning. you smell sunscreen and feel your stomach turn. you walk past a lake and almost cry. you check your phone and feel sick with how much you want his name to light up the screen. he texts you two days later: “Yo! My new job has air conditioning. It’s unnatural. Also I miss you. A lot. :( I’ll send gummy worms if you say it back.” you don’t answer for a while. then: “miss you more. send two packs.”
⟡ he does. in a padded envelope. no note. just worms. and you hold them to your chest like they’re flowers. like a promise. like a maybe.
(He reminds of matty and I can’t stop thinking about it. Inspired by a edit I made :p )
WHEN DID THIS HAPPEN?
THANK YOU SO MUCH 🤍🤍🤍
IT MEANS THE WORLD TO ME
someone said something about how the em dash (—) is a sign of ai use but the em dash is literally my baby ☹️. i overuse the em dash because i love it so much, how am i supposed to stop using it 😢
WHICH ONE AND WHERE
there is one Jesus to me….
chat i have soooo many drafts rotting and no motivation… ☹️
mike faist PLEASEEE be at the met gala
anyways 70s!patrick picking you up off the side of the road in his cadillac. it was so hot outside and you looked like you were struggling to carry this huge suitcase all by yourself. and that’s totally the only reason he stopped in front of you. to help. not just because you had on the tiniest shorts he’s ever seen.
“hey.” he called out to you from the open passenger seat window.
“hi.”
you gave him the sweetest smile, and he almost felt bad for the dirty thoughts he was having about you.
“need a ride?” you contemplated the offer for a moment before ultimately giving in. “hm… sure!” patrick parked his car a few stops ahead then got out to grab your bag.
“i’m patrick by the way.” he said. you nodded introducing yourself. “so where are we headed.” he asked you, sliding back into the car. “la.” you answered. kicking off your shoes and throwing you feet up on his dashboard, before sinking into the passenger seat. “i’m gonna be a movie star.” you giggled. patrick hummed, his eyes closing in on the smooth skin of your thighs that had a slight sheen of sweat on them. “the new american dream.”
he let you take control of the radio switching from station to station singing to every single song.
“i just wanna say thank you for picking me up. been walking for forever.” you dropped your hand on his shoulder, playfully tugging at his ears. patrick flinched at the sudden action before chuckling. “you uh- look a long ways away from home. how’d you get so far out here.” you sighed. “well, i hitched from nevada with this trucker who ended up creeping me out, so at our last stop i jumped out with my bag and have been walking since. my legs are so sore.” you pouted.
patrick dropped one of his big hands on your thigh, and squeezed. moving his hand up and down massaging your leg.
you “subtly” clenched your thighs together whenever his hand got a little to high, and patrick had to hold back his smirk leaving his hand to just rest at the top of your inner thigh. “you know, i have a friend who’s a photographer for… magazines. i could totally get him to take you headshots, and introduce you to people.” patrick turned to look at you, catching how your face lit up.” “really?!”
patrick nodded and you huffed a laugh, jumping in your seat a little. “that’s amazing, oh my god. how could i ever repay you?”
“we’ll think of something.”
-
that something being you riding him outside his condo in palm springs.
“fuck, babe your body was made to be on film.” your t-shirt was lost somewhere in the car, and patrick had his rough hands groping at your exposed breast. your thighs were starting to ache again from moving up and down on his cock.
“you’re so big, can’t -fuck- can’t do it.” your movement flattered down into slow grinds. “uh uh.” patrick held you up by your waist, and started moving you again. “movie stars don’t quit do they? i’m already helping you out so much just be a good girl ride me. ok.”
he wasn’t exactly wrong. he was helping you out. giving you a ride, letting you stay with him, getting his friends to do your head shots.
“ok.”
you planted your hands on his clothed shoulder holding on tight as you started bouncing again. your whimpery moans sounded as sweet as the smile you gave him earlier looked.
“atta girl.” patrick locked his arms around your waist, and dropped his head in the crook of your neck. he bucked his hips up in fast thrust. “patrick!”
his hand found place on the back of your neck forcing you to keep eye contact with him. “god, your pussy feels amazing. so glad i picked you up.” you nodded along with his words. “would’ve been so lost without me, get picked by some creepy old man.” he says as if he isn’t one them.
“thankyouthankyouthankyousomuch” you mumbled.
“and you’re so fucking sweet.” he pushed back against the steering, the both of you jumping when the horn went off. laughs mixed in with your moans.
patrick let his hand travel down body his finger finding your clit, and he rubbed figure eights on you feeling your walls clench tighter around him. “gonna cum baby?” you nodded your head fast. your bodies moving in the same fast pace, from the outside anyone walking by would be able to tell what’s going on.
“oh god -fuck!- cumming!” you moans filled up the space along with the slapping of skin, and some you gushing all over patrick’s cock with light scream. “shit!” patrick’s rhythm got sloppy and he completely stilled inside of you, fill you up with thick ropes of cum.
the two of sat there in each other’s catching your breaths, your mixed orgasms dripping down onto patrick’s leather seats.
“the industry’s gonna love you.” you smiled at his comment threading your fingers through his hair not knowing you two were thinking about very different industries.
Zendaya and Mike Faist in CHALLENGERS (2024), dir. Luca Guadagnino
HAPPY 1ST BIRTHDAY TO OUR BABIESSSSSS
WHO IS HATING ART HE HAS A TOUGH ENOUGH LIFE ALREADY WITH A FLOPPY DICK AND SAD DIET
watching obx for the first time and i get the rafe cameron hype… he is 🤭🤭🤭
Hey don’t take that commenter under your Athena post too seriously. They get under everyone’s posts acting purposefully obtuse. We got what you meant!
thank you!! i was worried i came off too strong! 🤍
possibly a hot take(?) on zendaya in nolan's the odyssey:
as a really big greek/roman mythology nerd: i don't think that zendaya (supposedly) playing athena is a great idea. not because she doesn't have the acting capability or she doesn't look that part or that she's in too many movies (which is a really dumb reason in my opinion). i don't think it's a good idea because tom holland is playing telemachus (odysseus's son). athena acts a motherly guidance/figure to telemachus, navigates his journey to adulthood, mentors him, and inspires him. with zendaya and tom being together, i don't think that that's going to translate to the screen that well.
i really hope that that's a rumor because as much as that movie is going to be a complete disaster (inaccuracy issues), i think this will be another factor that'll add on that. i'd MUCH RATHER prefer zendaya to play someone else, maybe circe??? i love z but no thank you.
(I COULD BE COMPLETELY WRONG ABOUT THIS AND IT COULD BE REALLY GREAT!! JUST MY THOUGHTS CURRENTLY)
Remembered that there was a scene of Art eating pussy but they cut it ……
death with no dignity; patrick zweig
“ amethyst and flowers on the table
is it real or a fable ?
well, i suppose, a friend is a friend
and we all know how this will end ” - sufjan stevens
cw (18+) : mentions of depressive symptoms, masturbation, and heavy yearning.
wc : 1.9 k
When Patrick was eighteen, he killed a doe.
It was an accident, it truly was, in every sense of the word.
He had been driving home from Art’s house around 11 PM and had been playing some stupid song on the radio. He’d thrashed his head and slapped his palms against the leather steering wheel to the stupid beat, carefree and unassuming. It had been so dark, and he was distracted, and then suddenly the deer was in the center of the road. Big, black, shiny eyes and pointed ears and a deep brown coat. She was beautiful. For the split moment that he had before the impact, that’s all he could think about.
He didn’t have enough time to swerve and avoid her because he’d been speeding, and everything afterwards happened in slow-motion. The skidding squeal of his tires against the asphalt. His heart lurching in his ribcage, almost enough to make him feel sick. The harsh jolt of the car and the brutal sound of metal hitting muscle, followed by the animal being sent hurtling a few feet forward and onto her side, accompanied by the painful sting of the seatbelt digging into his chest. When the car finally came to a stop, Patrick froze. His hands stuck to the wheel, shaking, and his eyes were peeled open wide as he stared through the windshield at the lifeless creature he’d just hit with his car. He was practically panting. He didn’t quite recall ever being so scared in his entire life, not even when he’d played his first professional match. Not even when he’d nearly drowned one summer years ago when he and Art were swimming in a lake upstate.
He’d never killed anything before. Not like that.
The aftermath was a blur. He almost called the cops to let them know that there was a large, dead animal in the road on so-and-so street, but he didn’t. To this day, he doesn’t really know why. Maybe it was all of the adrenaline. Maybe it was all of the guilt. Regardless, he’d mumbled a soft, “Oh, god, I’m sorry,” and then slowly pulled off and around it. He never told his parents, or anyone for that matter, that he had cried so hard on the rest of the drive home that he felt lightheaded by the time he was in the driveway.
Mommy and Daddy Zweig offered–no, begged–to get him a new car the next evening (when they got back from Greece) because his hood and bumper were horribly dented, but Patrick had refused. He’d laughed off the incident in front of them, and then waited until they went to bed to slink into their massive garage and pick all of the little tufts of fur out of the vehicle’s grille.
He’d traced his fingertips along the indentations and the scratches in the paint and blinked away the wetness clouding his vision. Tried to mentally retrace his steps that night, too. What if he hadn’t been listening to that stupid song? What if he hadn’t left his best friend’s place so late? What if he’d been quicker? Smarter? Luckier?
Could things be different? Could he have spared a life?
Could he have spared the victim, and himself, the pain?
Patrick’s twenty-one now, and he does a lot of retracing his steps these days.
Tennis is his priority; he’s always on the court, or in a car or a bus that’s traveling to a court of some kind. Forehands, backhands, volleying, serving, smashes–it’s all he lives and breathes. And, of course, it’s easier now to focus on tennis when he no longer has friends.
Art and him haven't talked in many months (has it really been years?), not since Tashi’s knee had gotten injured during that match at Stanford.
Fuck that fucking match. And fuck them.
He didn’t need them, he was doing just fine on his own.
If his best friend of over a decade wanted to kick him to the curb like he was nothing more than a dog that had bitten him a smidge-too-hard to be loved, then whatever. If his grotesquely-talented girlfriend wanted to break up with him because he didn’t want to be treated like a lesser athlete nor sit in her shadow, then fine. He’d enjoy his tennis career and roll freely in the expendable income he was sure to continue collecting.
But that’s not really who Patrick is.
And so he can’t help but lie awake at night, trying to pin-point where things went wrong–what he could have done to prevent this outcome–and tracing the indentations and scratches in his relationships that surely were only indicative of his faults. Compulsively picking at the tufts nestled in the wreckage. Eyeing the bloody brutalization, punishing himself by reliving the sting.
Sometimes he drags his fingertips over some of his old, banged-up rackets that he can't bear to get rid of, and he thinks about all of it. Tennis academy days with the shy, funny blonde kid that he became close with from day one. Learning and teaching and discussing with him all of the typical adolescent lessons that gave way to life outside of the bubble. Doubles matches–so many doubles matches. So many wins. First beers, first girlfriends, first cigarettes, first kisses. They shared everything with one another and they (almost neurotically) timed their experiences to happen around the same time so that they'd be able to talk to each other about them afterwards. As they got a bit older though, Patrick began to realize that he was feeling things for Art that he probably wasn’t supposed to tell him about. And he usually told Art everything.
That was his first mistake, he thinks, like when he hadn’t heeded the speed limit that night. Or, maybe, that was like playing the stupid song on the radio and going home late. It was the start of their untimely end.
When he’s in one of his usual depressive spirals, the kind in which he can’t seem to find his appetite and he forgets to shower and he ignores his manager’s texts, he argues with himself about what exactly could be considered the “impact”. Was it when he had cheekily served like Art during that one casual training session, ball to the neck of the racket, confirming that he had slept with Tashi and thus beginning the festering of that awful jealousy in his friend? Or was it when he praised her in front of Art before her match in the singles tournament that fateful afternoon, igniting his friend's interest? Patrick remembers the look that glossed over Art’s eyes when he first caught sight of her; he had looked at her and suddenly Patrick felt like he’d been forgotten–like he’d melted into those bleachers and disappeared. He can’t really blame him, Tashi was talented and beautiful and ambitious and confident and mature–she was everything that Art steadfastly admired in a person. She was twice the person that Patrick had been back then.
Usually though, he comes to the painful conclusion that the impact was certainly the day of the Stanford match. More specifically, it was when Art had yelled at him for the first time in the entirety of their friendship.
“Patrick, get the fuck out!”
Those four words ring through his head on the worst of days.
He knew he’d fucked up by not pushing aside his pride and going to support Tashi after their fight, so he could pretty easily swallow down the discomfort that came with being yelled at by her. They yelled at each other pretty often when they got into their little spats, it was relatively normal. But god.. It was so much different when it was him. Patrick's muscles had locked up; he was shaking and breathing hard like he’d just run a marathon, able to see nothing but that pair of angry, familiar eyes. The vitriol that came spurting from the blonde’s mouth was like the worst toxin he’d ever known. It paralyzed him and began to rot his insides from that very moment on. And then all of the suffocating memories came flooding back as he turned and walked out of that campus health center.
Giggling under blankets with a flashlight, reading comics until the sun started to come up. Practicing for hours on the courts at the academy, sometimes until they both got sunburns and heatstroke. Sleeping in the same bed on summer nights at Patrick’s house–tiredly watching the way Art’s chest rose and fell with each of his breaths and trying not to look at his lips. Holding each other when Art’s parents got divorced and he cried so hard that he got a nosebleed. Bandaging each other’s blisters. Wearing each other’s clothes. Having each other's back.
He doesn’t understand what he did to truly deserve being treated like that in the end by Art.
He’d been a good decent friend, hadn’t he?
How could Art’s infatuation with her be enough to snuff out everything that they built together? It was supposed to be the two of them for the rest of their lives. Sure, they could each get married, pursue a career, have kids, but at the end of the day it was always meant to be them, wasn't it? Fire and Ice? Did he get that part wrong?
He habitually questions how much he really meant to him.
When Patrick does muster up the strength to drag himself to the shower, he generally stays in there for at least an hour. “Waste of water” be damned. He closes his eyes and lets the warmth run over his hair and his naked body. He presses his back to the cold shower wall and rubs his eyes until he sees white flashes dancing in the darkness. It’s not uncommon for his mind to wander back to you-know-who. In fact, that’s who’s usually on his mind whenever he’s not trying harder to forget. And it’s easy for Patrick to fixate on those blurry white flashes and suddenly see yellow curls, bright blue irises, deep smile lines, flushed cheeks. Breath smelling of that peppermint gum he always chewed. The sound of his nervous laughter and joyous cheers. Patrick would know him even if all of his senses were somehow dulled or taken from him. He would know Art by the feel of his soul breathing life into his own. He would know him, surely.
And maybe it’s an act of pure filth and desperation, or one of flesh-tearing grief, but many times Patrick winds up touching himself. Slow, steady, tender–the way he assumes Art touches Tashi. The way he had always wanted to touch Art, though he never even gathered the courage to try to hold his hand. He thumbs his weeping slit and keens as he feels the sadness and arousal roiling in his gut. He chokes on little moans that sound like sobs that sound like screams. He’s starved. How is it possible to miss someone when they’re everywhere? He thinks it’s funny that he’s forgotten what Art’s speaking voice sounds like but also refuses to watch any of his latest interviews on TV. He doesn’t want to see if there’s a ring on his finger, and he certainly doesn’t want to think about all of the ways Tashi gets to keep him as her own. He was mine, he unfairly thinks as he strokes himself under the scalding water, he was mine and I loved him and you lured him in and then he was gone.
The orgasm usually comes quick, spurred on by the near-lethal dose of petulant thought. He feels his thighs tremble and then his hand starts to lose its rhythm and then he’s crying out as he comes hard over his curled fingers. Sticky, clotted, putrid evidence of his lack of control. When he finally opens his eyes again, salt spills down his ruddy skin from wet lashes. He gets dizzy from the heat and the steam, he feels like he’s choking on all of it. He brings his dirtied hand under the showerhead and watches as his mess is rinsed away, down the drain in a gurgling spiral. It takes everything in him not to collapse.
“Oh, god, I’m sorry,” he whispers, before he forces himself out of the bathroom and collapses in a wet heap over his bed. His skin sticks to the sheets and makes him feel like some sort of dirty, beastly thing that crawls out of swamps and swallows up all of the good it can touch. He figures that the feeling is not far off from the truth.
When Patrick was eighteen, he killed a doe.
And that doe followed him for the rest of his life.
note : to anyone who's ever had a childhood crush on their best friend. to anyone struggling with the grief.
This was intentionally written to be a bit "all over the place"; I wanted to show how scattered Patrick's thoughts can be. Also I love, love, love Tashi, I just think Patrick maybe sometimes (early on, before they reconnected) blamed her for his and Art's split for unjust reasons.
tags : @venusaurusrexx @tashism @grimsonandclover @diyasgarden @weirdfishesthoughts @gibsongirrl @newrochellechallenger2019 @jordiemeow @artstennisracket @cha11engers ♡
and when you think about me, all of those years ago you're standing face to face with "i told you so." - good luck, babe!, chappell roan
part 2 of black beauty
(↑ i recommend reading that one first)
pairing: tashi duncan x reader
in which: it's been twelve years since you kissed tashi on that beach— what are the odds that you'd see her again at the lobby of the ritz-carlton? she's married now. you shouldn't care. but the way she looks at you says maybe she does.
warnings: a few uses of y/n. lesbian hurt, no comfort. sad ending. tashi is married to art.
note: due to popular demand, here it is :) (i don't know if i'll continue this)
twelve years.
it’s been twelve years.
you wish you’d done things differently, you wish you stayed silent, you wish you just listened to her instead of telling her it’d be okay, you wish— you regret a lot of things. you blame yourself.
you miss your best friend.
you watched as she moved out of your shared dorm as you protested and apologized, just to get her to stay. she was petty, in a way. she was impulsive and upset. you don’t blame her.
why would you?
you couldn’t— you can’t blame her for anything.
for months, you tried texting her, sending endless useless messages, messages you weren’t sure she’d ever read. until you gave up, determined to move on.
but no one could ever forget tashi duncan.
especially you.
you could never forget tashi duncan.
you graduate stanford with your journalism degree and you take a job as a sports journalist— specializing in tennis. because of course you would.
you tell yourself, it’s normal. it’s natural. it’s obvious.
tennis is what you know. you always hung around tennis players during college. you know the rules, the players, the way the game worked— you knew tennis.
you tell yourself it was a coincidence when your first assignment is some second-tier tournament in florida. art donaldson is there too. you give him an awkward half-wave at the press conference which he sends back reluctantly.
you’re secretly relieved. she’s not there.
you’d hear her name occasionally at the offices, someone someone’s hitting partner.
then you get your next assignment a few weeks later— not like you asked for more coverage, you were just good— sharp observations, clean writing. your editor kept putting your name on stories.
of course you were good at writing about tennis, you spent almost two years of your life staring at her play every day—
soon you’re watching art absolutely destroy some guy at the australia open from the press office. you scribble down notes furiously and make the mistake of glancing at the crowd—
there she is.
arms crossed, her hair tied behind her back, her hand pushes her sunglasses up— the same pair you’d steal off her face. her eyes constantly follow the ball and art.
everything rushes back, how she used to sit like that on the bench, complaining about professors and girls on her team while you tried not to stare at her lips.
when art wins, art yells in triumph and rushes over to her, you snap out of it. you scribble down another note.
the next article you write is: ‘art donaldson wins australian with guide from new tennis coach, tashi duncan.’
you felt sick.
maybe there was a part of you who craved to stay attached to a part of her in some way.
maybe that’s why you didn’t quit.
so you watched as art grew in success.
you watched as tashi go from art donaldson’s coach to coach tashi donaldson.
it was inevitable that you saw them a lot.
fucking tennis journalist.
invited to opens, flown around the world— writing articles about how art donaldson won yet another open.
you could never get away from them. from her.
so your press conference questions were always directed to him, not her. you wanted to be petty too. you knew she was looking at you while you asked art about before game rituals with a smile. a smile you used to give her.
you don’t look at her. you don’t write about her.
and slowly you get used to it.
you get better. you’re a well-known name. you get invited to tournaments, opens, games— you go to press conferences. you board flights—
you convince yourself that you don’t care anymore. you’re not the same girl you were ten or something years ago. you try to forget about tashi donaldson.
you type your articles in the office and during some random conversation with your colleagues that you half listen to—
“donaldson’s pulling out of the finals this tournament, which’s an advantage to rodriguez, you might want to mention that in your predictions article—“
“wait, why?” you find the words coming out before you can stop them.
you’re just a journalist you shouldn’t care— but tashi would never do something like that. she’d never pull art out of a tournament- not when he’s on a winning streak-
“oh, tashi just had the baby— lily, i think? but their publicists don’t want coverage on it yet-“
lily.
your stomach churns.
and it finally— really does hit you.
she’s moved on.
she has a new life.
she has a family. you have deadlines.
AUGUST 2019
your fingers fly over the keyboard—
‘Art Donaldson: Finalist at Phil’s Tire Town New Rochelle Challenger— Will a Challenger Finally Get Him Out of His Losing Streak?’
you tilt your head— what is tashi’s goal here? a challenger? sure, art’s lost his confidence but a challenger?
you scroll through the matchups as you sip your espresso—
no. fucking. way.
ranking 271st national player— patrick fucking zweig.
you want to laugh. not because it’s funny, but because of course— of course you’re stuck watching the past play out in a goddamn place called phil’s tire town.
the last time you saw patrick—
“you’re, like, into girls.”
you can still smell the smoke that blew into your face as your jaw dropped on stanford campus.
you shake off the memory and continue typing your article- because you have a deadline.
6-time Open Winner and Star Player Art Donaldson seems to be winning games at the New Rochelle Challenger just a week before the US Open. Is this Tashi Donaldson’s grand scheme to help Donaldson gain his confidence before the US Open? A known title he’s been trying to win for a while. And what happens when he loses? Is the inevitable end of the Donaldsons’ reign on tennis finally happening?
you sigh, pausing to take a sip.
there’s a presence behind you.
you feel it before you hear it.
a voice sharp as a blade, one that’s stabbed you before—
“he’s not going to lose.”
you freeze
and the words take a second to register- too long.
tashi donaldson.
in the flesh.
your brain stutters, your heart does something it hasn’t done in years. you shake off the initial shock— but it lingers deep inside your veins.
she looks good, of course she does. she always looked good, even when she was wearing your sweatshirt with a messy bun and ranting about doubles practice. but now— she looks untouchable.
a shoulder-level cut, sleek blonde highlights, layered gold necklaces- she looks every bit like ‘legendary couch donaldson,’ the one you’ve written about for years. the one who turned art donaldson from a rank sixty-eight to a five–
and you almost forget how to speak.
then you remember-
you’re a tennis journalist. a professional.
you flash a media-friendly smile, fuck it- be petty.
“ah, coach donaldson, such a surprise to see you here. i had no idea we were staying at the same hotel— i really do love art’s career and was counting on his steady recovery— he really deserves it.”
tashi’s lips press together, if you weren’t looking hard enough, you’d miss it.
art’s career.
not her’s.
“y/n. seriously—“ but she stops herself.
you see the moment she decides it’s not worth it.
that you’re not worth it.
she simply rolls her eyes. like it’s nothing, like you’re nothing.
and for a second you feel sorry for her.
there’s a pause—
a pause long enough for her to scan your face, searching for something
as if she’s wondering if under this ‘sports journalist,’ there’s a 19-year-old girl that once loved her
“i just wanted to say hello to an old college friend.” she says with a smile so tight it looks painful. her head tilts, trying to make it casual.
it’s not.
“i’ve been keeping track of your career, y’know— i always wondered what my best friend was doing in life.”
of course she kept track. she’s tashi duncan- or donaldson- whatever.
“that’s truly an honor, mrs. donaldson—“ you want your words to sting, to finally pierce through her skin.
she laughs lightly— it almost feeling condescending. “no, don’t be— i’m sure you kept up with mine.”
she says it like it’s obvious. it’s worse because it’s true.
“tashi!”
mrs. duncan calls out from the elevators in the distance, she’s holding the hand of her granddaughter, lily, you assume.
“well, nice chat. i have to go,” tashi smiles thinly. “i’ll see you around.”
and just like that she’s gone.
you take another sip of your coffee
you are fucked.
this prediction article is due in four hours.
and the words started blurring after your last sentence, which you wrote three hours ago. right before you saw her.
fuck it.
it’s not going to work, you need to clear your head— you need—
you need a drink.
and maybe it’s the special ‘new rochelle challenger related guests’ fucking discount but one drink turn to two. then to another. and another—
and you see her.
tashi.
wrapped in some cardigan, asking the receptionist for something that’s a part of her husband’s routine tomorrow before the game—
and your brain no longer controls you legs and you’re in her face.
“heyyyy, tash,” you laugh like she just said the funniest thing in the entire world—
“y/n.” her eyebrow’s raised. you probably reek of alcohol.
“mrs. donaldson- we can escort this… hm.. person away-“ the receptionist starts.
“no, it’s— it’s fine.” tashi sighs. “if you don’t have what i’m looking for, it’s fine— um- we’ll just use a substitute. thank you.” she turns to look at you again.
she scans you, half-exasperated, half-something else. you wobble on your feet with a grin.
“jesus, y/n, how much did you drink?”
“just enough to stop thinking about you.”
her eyebrows furrow and she looks like she might just walk away. but she doesn’t. she just takes one good look at you and—
she grabs your arm. “c’mon,” she mutters. “what’s your room number?”
“why? you wanna hook up with me?” you laugh again.
the receptionist looks between you and her with a concerned expression—
“it’s fine. leave it.” tashi shakes her head as she hoists your arm around her shoulder.
and before you can process, she’s practically carrying you across the lobby. like she knows exactly how to take care of you, whether you like it or not.
she sighs and adjusts her grips when you’re finally in the elevator. “give me your room key.” she squints— “where the fuck is 2755?”
it’s late, she’s tired, you don’t blame her— but your drunk mouth can’t help but giggle, “you’re really bad at this.”
tashi just sighs again, the elevator door slides open. the hallway stretches ahead, but she doesn't leave you down it and pushes you towards the glass door.
"forget it. i need air," she mutters.
you both step onto the hotel terrace, the doors open and the chill winds of the outside air hit your skin—
tashi leans against the balcony and takes a deep breath.
you stare at the soft city glow, the flapping of the tarp hitting against the tennis court in the distance. the alcohol in your system softens into something else.
you open your mouth and let out what's been rotting deep inside you for the last twelve years—
"do you ever think of me?"
the answer comes after a pause.
"no."
liar. tashi donaldson's a fuckin' liar.
you laugh.
clear, bright, bitter.
"pussy. you can't even admit it." you smile widely because it hurts. it really does. you can feel your nails scrape into your palms.
tashi rolls her eyes. “y/n—“ she starts.
then she stops.
"i should go. i need to tuck lily in and..." her eyes shift, "art needs me to give him a review before his match."
you shake your head laughing again. "nevermind. you're never going to admit it."
"what is there to admit?"
"you loved me."
she exhales sharply, "that was literally ten-"
"twelve"
"-twelve years ago." she give you a hard, stony look. "get some sleep, y/n. you probably have a deadline."
and just like that, she's gone. again.
you stare at the glass door that she'll turn back.
but she doesn't.
and night is quiet.
-
tags: @hyuneskkami for the dividers
Greedy
NSFW!
The diner is loud, the chatter and clinking of silverware against plates. The neon sign outside flickers against the windows, casting a glow over Art’s face as he takes a slow sip of his milkshake, eyes locked on you.
“See?” he says, licking a stray drop of vanilla from his thumb. “Told you these were the best in town.”
You laugh, stirring yours with the straw. “I don’t know if they live up to all the hype.”
Art smirks. “You’re saying that so I’ll keep trying to convince you?”
You shake your head, but the way he looks at you—like you’re the only thing worth paying attention to in this entire place—makes your stomach flip. It’s dangerous, the way he makes you feel. Like this is normal. Like this isn’t something you’ll have to lie about when you go home.
By the time you leave the diner, the air outside is cool, the pavement damp from an earlier drizzle. You follow him to his car, his hand grazing the small of your back as you walk. It’s nothing, barely a touch, but it makes your breath catch.
Then, just as he unlocks the door, you hesitate.
Art notices. “What?”
You shake your head. “Nothing.”
But it’s not nothing. It’s everything. It’s the way his fingers brushed against yours when he paid for your food. It’s the way he leaned in closer than necessary to hear you over the diner noise. It’s the way your heart pounds every time he looks at you like that.
And then—like he can hear every thought in your head—he steps closer.
You don’t know who moves first, only that one second you’re staring at his lips, and the next, you’re kissing him like you won’t get another chance. His back hits the car door, his hands sliding up your waist, pulling you in. The kiss is messy, mindless, teeth and tongues and a little too much need.
His fingers tighten at your hips. “Get in,” he murmurs against your lips, voice rough.
You do and your memories start to mix-
“Come on, come on, like that, keep it up,”
“Don’t stop, keep moving,” you ran to not miss the ball, it all sounds to similar now—
“That’s it, keep moving,” now you try to move faster.
“Come on, you’re a champ, give me another one,” sweat dripped down your forehead, a twist of your hand and SMACK!
“One more, mhm, I know, just give me one more,” you sweat now too, you let yourself fall down and—SMACK!
God, you almost knock his breath away with that one.
“Shit, just like that!” the way he smiled and ran to hug you.
“Shit— just like that...” he readjusts your hips.
It’s like... he was talking to you about tennis, was everything about tennis?
His hands are on your waist, and you feel like you’re going to collapse at any moment. Everything feels so tight—his cologne makes you dizzy, and the streetlamp light barely reflects in the rearview mirror.
His hands go to your back, reaching for the clasp of your bra. “Sorry... can I?,”. You almost laugh, he has you riding his dick in the backseat of his car and still asks your permission to take off the only garment that supports your little dignity.
“Yes...” you hold on to his shoulders, he peels off the bra from you. He looks down and immediately gives them a light squeeze, making you release air that you didn’t know you were holding.
“Fuck— you’re pretty...” He looks into your eyes, and you finally feel naked, your insides clenching at his words. It’s as if he can read your thoughts, how much you’ve dreamed of him like this.
You kiss him to get rid of your thoughts. He sighs and keeps moving you. He kisses down your neck, through the middle of your throat, in the middle of your clavicles, tracing the parallel with his tongue before going down to kiss the mole right next to your nipple. Kissing his way to the other to kiss now only your nipple.
His hot sighs on your wet skin make your skin bristle, and you can’t hold back a moan.
He smiles and soon you erase the smile from his silly face, stamping your hips. Being a double-edged sword since you now feel full.
Right there... there it is.
He seems to notice and lifts his hips. “There it is...” he moves you a little, “yeah...” his moans echo on your thoughts. Eyebrows furrowed as he watches himself going in and out of you.
His expression has you in a trance, wanting to see more changes in his handsome face. He tilts his head back while you accelerate the movement with the help of his hands.
You can’t resist and kiss his neck, over and over, until you reach his lips. He moans even more because of the increased speed.
“Art—“ you moan his name, your breath constant on his cupid’s bow.
God he sounds so good.
He squeezes your ass when you do it, kissing you gently while he feels like exploding, which he doesn’t take long to. He cums inside the condom with a groan and before you can protest a last thrust has you gasping for air and holding his shoulders tighter.
“God...” Art groans, his head tilted back against the seat, chest rising and falling as he catches his breath. His hands, warm and strong, stay on your hips for just a second longer before they slip away.
The car is thick with heat, the windows fogged, the scent of sweat and him wrapping around you. You shift, legs shaky, reaching for your bra, but Art beats you to it. He holds it up with a smirk, letting the straps dangle from his fingers.
“You’re real proud of yourself, huh?” you say, voice hoarse.
His smirk deepens. “Maybe.” His fingers hooking onto the strap first. “Let me.”
The buzz of your phone cuts through the moment. You check it.
<<Mom: Where are you?>>
Your stomach clenches. You wipe your thumb against your damp skin before typing back, <<Still at school. Be home soon.>>
The lie comes easy now. Too easy.
Art is already pulling his shirt on, checking the time on his dashboard. “I should get you home,” he says, and even though you know he’s right, part of you doesn’t want this night to end.
The drive is quiet except for the sound of the engine, the occasional hum from him as he taps his fingers against the wheel. When he pulls up a block away from your house, he puts the car in park but doesn’t unlock the doors just yet.
You hesitate, not reaching for the handle right away. Art watches you, like he knows what you’re thinking.
Then, with that same cocky ease, he tilts his head, grinning. “Told you the milkshakes were good.”
You scoff. “Yeah. Totally the highlight of the night.”
He chuckles, low and knowing, then leans in. His hand slides up your thigh, stopping just before your knee, and he presses a slow, lingering kiss to your lips. It’s softer than you expect. Less teasing, more something else. Something you’re too scared to name.
When he pulls back, he taps your knee once, like a silent go on, before you change your mind.
You swallow and reach for the handle. The cold air bites at your skin the second you step out. As you walk up the street to your house, you can still feel his lips on yours, his touch seared into your skin.
You don’t look back. Because if you do you might kiss him again.
lucky you | tattooartist!patrick x reader
warning: oral sex, m! receiving
the back of patrick zweig's tattoo shop smells like ink, antiseptic, and cigarette smoke, the faint hum of a tattoo machine still buzzing somewhere in the front. it's dimly lit, the overhead fluorescent flickering slightly, casting long shadows across the cluttered counter and the worn leather couch pushed against the wall.
but none of that really matters—not when you're on your knees, fingers curling against the rough denim of his jeans, mouth stretched wide around his cock.
patrick leans back against the counter, one hand fisted in your hair, the other gripping the edge behind him like he needs something to brace against. he's trying so hard to keep himself together, to maintain that usual cocky, unbothered demeanor—but you can hear him breaking. his breath shudders every time you sink down, his jaw clenching as he fights the little moans and groans threatening to spill from his lips.
"fuck," he breathes, looking down at you with half-lidded eyes, pupils blown wide with lust. "such a good fucking mouth. all it's good for, yeah?"
the words send a sharp thrill through you, and you whimper around him, throat tightening as you take him deeper. he feels it—his whole body jolts slightly, fingers tightening at your scalp as he exhales a sharp, broken sound.
"shit—look at you," he murmurs, voice rough. "making such a fucking mess."
sloppy doesn't even begin to cover it. your spit glistens along his length, slick and dripping down your chin, your tongue working him over with desperate, eager strokes. every time you pull back, a slick, obscene sound follows, strings of saliva connecting your lips to his cock before you take him in again, gagging softly as he presses deeper. patrick groans, low and guttural, trying to swallow it down, but he can't help it—your mouth is perfect, warm and wet and eager, and he's unraveling fast.
his shirt is bunched up just enough for you to catch sight of the ink just above his cock, black cursive letters etched into the sharp plane of his hairy pelvis: LUCKY YOU.
it makes your stomach twist with something dark and needy, makes your thighs squeeze together, makes your lashes flutter as you blink up at him, spit pooling at the corners of your mouth. patrick groans, his head tipping back.
"god—" his voice cracks, and you feel his thighs tense beneath your hands. his grip in your hair tightens, guiding you, pushing you down until your nose brushes against the base of him, until your throat flutters around him in a way that makes his whole body seize up.
it doesn't take much more than that. his breath catches, a curse tumbling from his lips, and then he's spilling hot and thick across your tongue, holding you there as he shudders through it. you swallow it all, greedily, eyes flicking up to watch the way his jaw goes slack, how his chest rises and falls in uneven pants.
when you finally pull back, licking your lips, patrick stares down at you, chest still heaving. and then—slowly, lazily—he smirks, shaking his head like he can't believe it.
"such a slut," he murmurs, voice dripping with amusement, satisfaction. "think i might have to keep you around, huh?"
his thumb swipes across your chin, collecting a stray droplet, and he holds it up to your lips. you take it without hesitation, sucking the pad of his finger into your mouth.
yeah. he's definitely keeping you around.
okay yeah maybe i do want super sweet, super soft professor!art who knows its kind of fucked up that he wants one of his students so bad but finds it almost impossible to resist you. he does his best when you’re looking up at him with those big, pretty eyes, sitting on his desk in a skirt that he wishes you’d pull down just a little bit. you stress him out so bad — like, unbutton-his-shirt-and-throw-his-jacket-somewhere-across-the-room-while-overheating-and-maybe-tearing-up-a-little bad.
he feels like such a perv but you’re so pretty and smell so good and you’re so (kind of) smart. it’s not his fault that you just pop into his head when he’s jerking off, it’s not his fault that he’s had to start sitting at his desk for the duration of every class to hide his perma-boner from everyone when you’re around —none of this is his fault.
or at least that’s what he tells himself to sleep at night.
patrick zweig listens to the 1975 and identifies so fucking hard with matty healy. dont make the rules
hey guyssss. i’m not dead, i’ve just been busyyy
but i’m writing a black beauty pt. 2 and i’m sure it’ll come out soon (probably)
so yeah!!! stay healthy and happy <3
happy patrick day to my fav sleazeball ☘️🇮🇪