Thinking about how the Narrator doesn't really know if the world stays saved when we die, and yet in some cases He tries to reassure/console us during our 'last moments'.
"You've paid a terrible price, but you've saved us all." He doesn't know that. Maybe He's just trying to describe it into existence, hoping that if you die with the thought, it'll become true? But in other times, He's sure that our death means doom for whatever world we've left behind. "The world doesn't stay saved if you die." Then why tell us that we've saved it?
I also think it's interesting how emotional Narrator gets by the end of each chapter 1. He treats us differently based on our actions and how we approach the situation.
If we try and save the Princess, he purposely makes our death as long and painful as he possibly can, presumably, out of pure spite. "It is agony. But you aren't dead yet." "She sinks the blade into your chest again, and again, and again... and you feel every inch of burning pain that slices itself into your body."
If we resist his instructions at first, but give in later, he seems genuinely apologetic. "This can't actually be how everything ends..!" "I'm sorry, but it is." or "As much as I'd preferred for things to have gone differently, I can't deny the reality of what has happened." He wants this to work, and he wants us to come out happy and content by the end of it.
He seems caught off guard in the Spectre route if we try to kill her while she's in our body. "Slay her would slay you. Are you sure you're willing to do that?" One would expect Him to immedietly be on board with whatever plan gets rid of Her, but the "heroic"(in His eyes) gesture immedietly makes Narrator develop a soft spot and start to worry for our well being. He doesn't like the idea of the hero being denied their happy ending.
He genuinely believes the Princess to be a manifestation of everything evil in the world and constantly denies her any personhood. It's not an active choice either, as Narrator is an Echo with a set amount of beliefs that cannot be changed. He never changes His mind about anything and one of His core beliefs is that He is right. He has to be, otherwise everything he'd done, everything he went through, it would all be for nothing.
That which was once a defensive thought, shaped by his own hurt and unwillingness to see another perspective, becomes a universal truth.
PLATONIC INTERPRETATIONS OF CHARACTER DYNAMICS ARENT ANY LESS VALID THAN ROMANTIC ONES PELASEE
knock knock. hands u a Voice of the Paranoid and runs away
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Thank you, Oddy
Okay, just a itty bitty request
I kinda wanna see your Rearranged AU
No Mixes. Just your take on them like last time ('cause they are so fun and interesting on their own)
heres a . guh. handful
Some more Stobotnik doodles.
Stone gets comfortable with Game!Rob and Game!Rob is appreciating the ego stroking.
Should I have waited to clean up doodle comic ideas of Movie!Rob coming to get his Stone back before Posting super unpolished Game!Stone in a cell.... Perhaps.
Game!Stone appreciates being a kept man. Also Stones little fangs.
Tails got caught up in the romance and whimsy. Forgive him.
Just thinkin about Rob lacing his own fingers together when trying to bond with his grandfather only for his grandfather to really show what unconditional love is and then deny him.
But at least he understands now
S1vS3 The Ivos hate each other.
Another victim of my inability to draw motorcycles.
Smooch.
Got reallllly good photos of my leshy cosplay done!
Photos by Seckora Photography
I would like to force gently nudge Broken and Stubborn to hug just once, please.
They were arguing.
The Council (feat. Some.. other voices, Narry and LQ-)
Does anyone know of any Slay the Princess fanfics that The Narrator somehow survives and has to face The Long Quiet and The Shifting Mound? The idea has been in my head all day and I need to know if it exists.
one of these days ill do an actual in depth analysis of all of my voice designs to show off all of their design features and give explanations. eh. one of these days