Ok So Like I Made A Thing

true brothers steal their brother's boyfriends

I always forget that a lot of creators have their narilamb ship have that harsh dip in trust when narinder wants to sacrifice the lamb. I love it, it's a great dynamic, especially if there's and up before, I just forget sometimes that would be a natural progression of those characters

I thought since the start of the game that it would end with the lamb dead, even before it was revealed. You're always called a vessel, so I honestly thought the conclusion would be fight or you get possessed and they take the cult in your body. so i figured the lamb thought the same and either wanted to die since they were all alone, or were planning to fight all along. Honestly, before i found out narinder was a cat, i thought he was a dog, like an Anubis type, and it was a big "wolf in sheep's clothing" metaphor >_>; I'm kind of disappointed that didn't happen, honestly.

because of that thought process i had while playing, I designed Ewen from the beginning to want to die. only agreeing to be alive to get revenge on for indignity they suffered for their execution. I eventually expanded on the how's and whys, but that was always the starting point. Their attachment to narinder, along with the self worth that comes from being needed (even as a tool) was the only thing that gave them a drive to keep living, and the only reason they refused to give up the crown. If u wanna get all narrative fancy, I try to tie that back around to when they rescue their siblings, despite the fact that they think they'll take narinder away from them. That's the point when their completely selfish need for them becomes less "I'm going to do whatever it costs to keep him here to make me happy" to "I'm going to do whatever it costs to make him happy, even if it might take him away from me" love. which, of course, is terrifying lol. and then brings it back around to "his selfish need to do whatever it costs to keep me with him has to make me acknowledge I am worth love and he won't leave me" in a double fucked up way.

Abracadabra 🔥

...

Voice of The Hunter

Trying to mimic the Artstyle of Slay the Princess was fun to do!

This is an artwork of an upcoming STP fic,I have no braincells or else I would've wrote a snippet.

Now Off to rewatch the entire gameplay again

the shifting mound's faithful devotee

The Ray of Light

- Zeus equivalent, solely because he is the king of gods. Vague weather abilities, oftentimes uncontrollable. I like to think he smells like rain. "ray" is also like "rey" which means king.

- Red can have all sorts of meanings, but red is also one of the very few used colors in Slay the Princess, so it works especially well for him.

- He has a lot of softer edges, since he tends to favor that which gets less people hurt. Reasonable, yes, but comparitively softer than most voices.

- A triangle for the pupil, specifically one pointing up. Meant to be similar to a blade's point, but the similarity to a magic 8-ball was definitely a win design-wise. It is empty (unlike others, you'll see later) because he gets influenced by other voices, and it can change.

- I think he has a very lean, sleeper build that he hides under an oversized undershirt. In most terms, however he is perfectly average amongst the other voices; average height, average build, as normal as it gets.

- Also meaning that he is the most like Quiet. Just a little softer, a little less prone to violence. More of a Hero than a Slayer.

The Flora

- Demeter equivalent, since the Witch route has so much to do with nature, and he shows off some hints at it too (his own senses mirroring hers, some other stuff). Demeter is also represented by poppies, which fits for that route. Since Demeter has a lot to do with food, and plants that have to do with food, I thought of it as a good counterpart to the chapter of the Beast, who has to do with animal food and meat rather than plant food.

- Orange has a lot to do with confidence and boldness, and my goodness, does oppy got that. Warmth and vibrance, but undoubtedly a symbol of danger and warning. Pretty and safe, if you know what's good for you.

- The star patterns, as I've explored before, are pretty literal. He is sparkly and beautiful but you aren't supposed to get close. Only to be admired from afar, will hurt you if you step any closer. Every sharp part of him is hidden under a fluffy or smooth exterior.

- Cat-eye pupil with a glint whenever he has some sort of plan or trick up his sleeve, which is more often than not. It always seemed to me like he was moreso the predator within his route.

- He's a little bit smaller than the Hero, and he likes it that way. People like and trust small things. He does try to seem more approachable and attractive with the shaping of his feathers; he purposefully preens his chest to be more accentuated. Unfortunately for him, small tends to mean weaker. However, he is very, very sharp when he needs to be.

- He is a little cleaner, a little more condensed than the Quiet. Always something hidden away. Always preying on someone's downfall.

opportunist when I catch you opportunist

surely someone has made this joke before. pov the voices

They're all so fluffy!

Slay the Princess stuff. I'm so normal about these voices.

Fun Facts (down there)

All voices have scars of how Long Quiet died on first chapter. (well most of scar they could get), except Hero.

Broken's tears won't stop flowing.

Oppie always hide his death scars on his chest all the time with his arms. doesn't dare showing his weakness.

Smitten have his eyes close all the time. as in "blind" devotion.

Oppie and Cheated doesn't like hug, They are afraid of getting backstabs, but is comfy enough with Hero. (They need it.)

Do you ever think, in the aftermath of the “what comes next” ending, the Princess sort of relapses from her the whole part of a goddess thing? Here Quiet doesn’t experience it because he never awakened in that ending, but she did, that kind of power has an effect on people, even based women.