Plein Air From Yesterday

I can always hear you sing, I wanna hear you speak to me

waiting so patiently for the School Spirits fandom to come to life so I can talk about it and absorb all the content like a plant soaking up water

in middle school during my Intense Greek Mythology Phase, Artemis was, as you can likely guess, my best girl. Iphigenia was my OTHER best girl. Yes at the same time.

The story of Iphigenia always gets to me when it's not presented as a story of Artemis being capricious and having arbitrary rules about where you can and can't hunt, but instead, making a point about war.

Artemis was, among other things--patron of hunting, wild places, the moon, singlehood--the protector of young girls. That's a really important aspect she was worshipped as: she protected girls and young women. But she was the one who demanded Agamemnon sacrifice his daughter in order for his fleet to be able to sail on for Troy.

There's no contradiction, though, when it's framed as, Artemis making Agamemnon face what he’s doing to the women and children of Troy. His children are not in danger. His son will not be thrown off the ramparts, his daughters will not be taken captive as sex slaves and dragged off to foreign lands, his wife will not have to watch her husband and brothers and children killed. Yet this is what he’s sailing off to Troy to inevitably do. That’s what happens in war. He’s going to go kill other people’s daughters; can he stand to do that to his own? As long as the answer is no—he can kill other people’s children, but not his own—he can’t sail off to war.

Which casts Artemis is a fascinating light, compared to the other gods of the Trojan War. The Trojan War is really a squabble of pride and insults within the Olympian family; Eris decided to cause problems on purpose, leaving Aphrodite smug and Hera and Athena snubbed, and all of this was kinda Zeus’s fault in the first place for not being able to keep it in his pants. And out of this fight mortal men were their game pieces and mortal cities their prizes in restoring their pride. And if hundreds of people die and hundred more lives are ruined, well, that’s what happens when gods fight. Mortals pay the price for gods’ whims and the gods move on in time and the mortals don’t and that’s how it is.

And women especially—Zeus wanted Leda, so he took her. Paris wanted Helen, so he took her. There’s a reason “the Trojan women” even since ancient times were the emblems of victims of a war they never wanted, never asked for, and never had a say in choosing, but was brought down on their heads anyway.

Artemis, in the way of gods, is still acting through human proxies. But it seems notable to me to cast her as the one god to look at the destruction the war is about to wreak on people, and challenge Agamemnon: are you ready to kill innocents? Kill children? Destroy families, leave grieving wives and mothers? Are you? Prove it.

It reminds me of that idea about nuclear codes, the concept of implanting the key in the heart of one of the Oval Office staffers who holds the briefcase, so the president would have to stab a man with a knife to get the key to launch the nukes. “That’s horrible!,” it’s said the response was. “If he had to do that, he might never press the button!” And it’s interesting to see Artemis offering Agamemnon the same choice. You want to burn Troy? Kill your own daughter first. Show me you understand what it means that you’re about to do.

God Tier!Nona 🩷🩷 (Witch of Life 🌱)

(the pose i referenced for this was a picture of Mitski!!💙💚)

(this is a bit older, i rlly wasnt sure if i wanted to post it or not lol)

Solid Scrappy Granny Pillow by Mallory Krall

Free Crochet Pattern Here

*sudden realization that next year is like 3 weeks away*

one piece crochet

i think i just realized something pretty interesting about the retconned timeline and why adding vriska onto the meteor somehow “magically” solved some problems.

so, right before she was killed in the game over timeline kanaya right hooks her into realizing her latent lesbianism:

because this event happened in both timelines, people maybe forgot, but vriska essentially just developed a red crush on her old moirail. so she tries to get close with her again and tries to sneak herself into the time kanaya’s been spending with rose.

and at some point she’s gotta notice these two are becoming an item and she just accepts that her crush is crushing on someone else, but then…

rose, her crush’s crush, fucking ditches kanaya on their supposed first date. instead, vriska finds her drinking soporifics and she’s just livid. “WH8T ARE YOU DOING???????? WEREN’T YOU SUPPOSED TO MEET UP WITH HER? YOU’RE THE ONE THAT M8KES HER HAPPY AND YOU CHOSE THIS SHIT INSTEAD OF BEING WITH HER?”

what im getting at here is that adding vriska didn’t just magically fix rose’s drinking problem or that vriska was just butting into other people’s affairs so they could be ready for the approaching big battle. she wouldn’t have actually thought it was a problem since there’s a cultural gap between humans and trolls when it comes to alcohol abuse. in the game over timeline karkat said the drinking made rose “more charming than usual” and didnt understand why it was a problem. i think that her motivations for getting involved with rose’s issue in particular was strictly because she didn’t like how rose was treating someone she had feelings for after she had resigned herself to not confess because she realized kanaya already had feelings for rose.

can you do a symbol pack pls?? thank u beautiful 🌸

⣦ ᭪ᬻ ⠛⠖⡅❀˖° ❤︎ ❘ ❙ ͏ ✟ ᭢ ᰭᰭ᳜᳝᳝ᰯ꫶ ▨ུ͏ ʕ⁎̯͡✭ུ ᭢͏ུ᭢ ♫ᰭᰯ᳜᳝᳜᳝⃨ ⣷ ͏ ᭪᭰˘˖ࣺ᭨͙᭰͒̑͡ ུ⃨ :¨ ·.· ¨: ฅ ⢀♥︎͏͏ ͏ ͏꯳⃘꤫ ͡ ❀꫶̯͙ࣺ˖̑͡♪ ͏ ͏ུུ̑̑✿᮫᮫̑̑ ᭨᭪ བྷ།ᬼ ᭨ ❘ ❙❘ ࣼࣼࣼ ‎‎ ‎‎‎‎‎‎‎‎‎̶̲̌͜ ᭨𖥟.* ◌⃘࣭ٜ࣪࣪࣪۬  *ೃ✿ི⃨ꦿꦸ ♪⃝ ✳︎ 𓏸 ˙᭨ ⃟⃜ ཻུ۪۪. ░⃜ ͠ ✟꫶᳜᳝ࣺࣴ➲⓵᳜᳝᳜᳝✟⃛⡴ ✪ ✬✽ ͏͏◖⬤ᰯུ✿꫶᳝᳜᳝᳜᳝᳜᳜᳜᳝࣭ ͏✟⃛ᰯᰭ࣭⠄᳝᳜♪⓷◖꫶᳝᳜⃛ ཤꪴ͠❦✟̭̈́♫ུ᳝᳜͏͏◗✿ᰯ꫶꫶ུ⃨▩ㆁ̴̶̷̤́ㆁ̴̶̷̤̀ ✿͙ᨳ ⣬♬♪♫᳝᳜ᰯ.░ ▒ ░ ❞⃘ ⇢͟ ❛ ▞ ⃟͚̊ ܺ ᭚ ◌◍*⃝̥ ❤︎ ▄▀▄ ˖𖥔.⟡ ˖͢ ⃟͚ 𓈒 𓈒ིུ𖤛.̲.̲𖥔♥︎ ❜ ⊹ 𓇼𓈒 ◌ *⃝̥ ⓘ 𓈒 ﾟ⃝⊹ lılı. .ılıl ਏਓ₊˚✥ ⿻ 𓏸𓈒 ၇͜ᩘ ♡⃟͚̊၇⃪⃖ৡ 𒀭 ⬤⬮⬤ ⬮ ݃♱ཐི♡⃟͚̊ཋྀ 𖢅.⁺ ໒ ྀ ෴ ⁺ ˖ ⁄⁄͈꒱ა₊̣̇.𖢅.⁺ ໒ ࿔᭬ৡ⃪꫶⃗၇͜ᩘ၇⃪⃖ৡ࿔█▓︵⃨‿✮૮₍∗ ₊˚ .·̩͙ ₊ 𓍢♪♰ 𓏲࣪ . 𓂃 ⁺ ˖ 𖢅.⁺ ᶻ 𝘇 𐰁  ׅ ࣪ ⿴ ྀ ꯳⃘꤫⃛͡❤︎ᰯ ᭢˚̣̣̣͙͏ ͏͏͏⑮ ཐི♡⃟͚ཋྀ꠹ᭂ ຶ⵿  𓈒ིུ❦ ݃𖥨᩠ׄ݁   ཻུ۪۪ⓘ 𖥔 ෆ ★ ☆ ࣪ᯤ ᘒ ் 𖢅͢ ∮͠ ཐི༑ཋ᭡ ִ 𝂅 ✶ 𑁍 𖦹 . . . 𓏧 ♪▩ ׄ 𓈒 𒀭 𓂂𓏸 ✿⃬⃝࣪ ᨳ₊˚ ⬮⬤⬮ 𓈒ཊ♥︎ཉ ⓲ ✻⧉✢ ̥ ◌ ᶻ 𝘇 𐰁꙳ ⊹ ✎ ᝰ =͟͟͞ ❤︎ #⃞ ৡ⃪꫶⃗ ᭄⢾ ৡ⃪꫶⃗ ⬮ ၇͜ᩘ♥︎ ▒᳜᳝᳝᳜᳝᳜᳝᳜᳝⃛ ✟ ି ᭨ ᖭིᖫྀ . ˖ ▭▬ ◌ ◛ ໋𓈒 ̣͘░͟ ₊˚⊹ ྀི ⌒₊˚ ♪ ㅠㅅㅠ ❤︎ ꯭ ⊹ ⋆ ࣪ *৹໒꒱ ⋆ﾟ͙✩ ⛶ 𓈒⿻ ⿴ ⊹ ۫ ♩ ׂ ˙ ི ྀೃ ཐི༑✟⃨⃛༑ཋྀ ♬◌ ◛ ໋𓈒 ! ♡⃝⑅ ⋆ #⟡˙♬⃝˚᧔᧓ ૮꒰ ྀི ◜ . ◝ ྀི꒱ა ♫ུ᳝᳜᳝ ྲྀྲྀ ໋𓈒 ✿꫶᳝᳜᳝᳜᳝᳜৯▒ 𓂃𓈒၇͜ᩘ♥︎𓈒ཊཉ 𓈃 ♪ ✺  𖢅⿻᭩͡ᰯ ♬⃝˚𓈒 ׂ᭩͡ᰯ◌♪ ◍ ❝#⃞ ❞❙❘❙ . . ᧔᧓ . . ˖ ་ ıl˳ ⟢ ˖◛ . . [᧔᧓] ♡⑅⃝◌𖥔Ꞌ ࣪ 𓋜˖ ❚ ◌ 𓈒 ⭒ ཐིཋྀ ˖ ࣪⊹ 𓂂 ࿐ ۫ .*⭒ ᓭི༏ᓯྀ｡ﾟ♡ ˖ ࣪ ୧ ｡: ✻ ˖ ֹ ִ ⟢. ཐི ཋྀ۪ ࣪ ✳︎ 𓏸 　 ҉ ๋ ◌ ၇͜ᩘ༣ஓ⺉ݴ᭄ ❚❘❙❘⎯⎯╾⃰◌̺̺͙ ⬤ 𖢅𝅮໒꒰ྀི ˊ͈ 𐦫 ˋ͈ ꒱ྀིა ུ ♩♬ ① ᭋᭂᬹ ˘͒ˑ᳜⃛ -̮͡ू  ۪۪۫۫ᤢ ⣬ ❤︎ ̵̼͓̥͒̾͘ꙮ . . . ༶⁺ ཐི♡⃟ཋྀ ♬⃝ ıllı ྐ𖥨᩠ׄ݁ ˖ ݁ ཐི ཋྀ 𓏸𓈒 ָ࣪ 𓂂 𓏸 ˖ ⿴݃♱ ˓  ֢ =͟͟͞✪ ྀ 𓈒﹠̲ ☄︎ ࣪˖✦ .ꢀ  ◌ ⃘ 〣 ◌ ┆ ♡⃟͚̊♱ ᨘ໑ ᯓ ✶₊ ᚙ 𓋜♪ ˖ ♡⃝ ྐⓘ ⓰ ˎˊ ˗ ⊹ ⵓ ৡ⃪꫶͜ᩘ◍ 𖦸໋݊ ཻུ. ㊅*ིྀ ꯭ ˚❁્᭄͜͡ ۪ܺׄ⃞✿᭢⠞ུ. ᡴꪫ ‧͡‧̫  Ꮚᵕ̣̣̣̣̣ ہ ᵕ̣̣̣̣̣̣ ৣ ۬۟ ⏜ ⏜ ⏜ ۪𐙚 ུ⃛ ⬮ᰰᩴ ㅤᤣ९ ᖭི༏ᖫྀ ׁ ི۪۪۪ ֯ ּ ֗ ۫ ැ 𓈒 ֹ ᜴✿ ︶ྀི ᭢ ᰭᰭ᳜᳝᳝ᰯ꫶ ᧔ ❀ ᧓ ▦ ▩ 𖣯 ⬚ ░ ▒ ೋ ᭄ᬽ ྀི ꕀ ꦿ ๑՞ ᭪ᬻᭊ ི⃨ꦿꦸ ꦽ ⬮ ꠹ᭂ ⚈้̤͡ ˌ̫̮೧ູ ʕ·͡ˑ·ཻʔ ᬉٞ٭ٝ 𑆪ིྀᩧ𑆠 ٞ 𝅄 ?꯭﹖ ᥀࣪ ★ ⌢ ◌ ۫ ꒱ ᰮᬺᬸ ۭۭۭ۫ࣳ۫֗❘ ⡷⃨ ᭢˚̣̣̣͙͏ ུ♪ᭂ ◌·. ꯭ ഁㅤ᭄𖹭ઠᥱ︭૨ㅤ𔓕꯭ !ㅤํ⿴ㅤ𓄼░ 🌼⃝˚ 𓄼 ｡ﾟ ြ░ ᭢༽ৣৢ ં⸼ ꦿ ༽ৣৢ؞ৢ؞ؖ ◞ ༎ຶ •̛)ྀ ໂ‧͡‧̫ໃ ⬤ᰯུ ᬊ ծູ ̟̞̝̜̙̘̗̖҉̵̴̨̧̢̡̼̻̺̹̳̲̱̰̯̮̭̬̫̪̩̦̥̤̣̠҈͈͇͉͍͎͓͔͕͖͙͚͜͢͢͢͢͢͢͢͢͢͢͢͢͢͢ͅ▫️ ┈⵿۪۫۫۫ ‎‎ ‎‎‎‎‎‎‎‎‎̶̲̌͜♪⃝  ིུ͠ ֵ๋̾͒۫ ❧ ༄⸼۪❀˟̫ː ͏ •̩̩͙*˚⁺‧͙  ᭢ຶ⵿⁕ 𓊈❀𓊉 ༄༽❜ ᓭི༏ᓯྀ◛ ໋𓈒 ❛❜〄 ◍⃘꯭໋۟ ▄ ︻̷̿┻̿═━── ıllı 𖥔᭄𓈒🖱️ྀི ͟͟❘❙❚❙ ▭▬ ❿ ❘ ❙ ❘⬮⃨۪۪̃۟⬤⡳ㅤ ㅤ⏝ ⏝ིི᭨ ྀ 𝅘𝅥𝅮♪ ⏝ི ✧ ུ ⏝ིི᭨ ྀ⑧ ̷ ✧ ♡̵̼͓̥͒̾͘ ✿⃘ֹ ♡̵̼͓̥͒̾͘ ✦.໋᳝🎥◍. ᬊཻུ۪۪ 𖡄̽【】. 【♡⃞】 ₊ ֗ 𓈀 ❜͟ 𖥔❚❙❘ 𓂃⊹𓈒⟡ ᶻz ♪⃞ ₊ ֗! ◍⑅ . . ໋𝜗𝜚 ࣪𓊆ྀི❤︎𓊇ྀི ❬ ❛◍᧔᧓⃢ ࿒ཽ🈖⃨᭢ຶ⵿ ⓴ ̷۪۪ᰰ ❝᷀ົ . ݁ 𐒘𝛠 𝒲h͟o ﹗%⃘꯭໋۟ ⊹ ۶༩╰۪ ᡴꪫ ݁和谐͘𓂂 ͜ᩘ ̵̼͓̥͒̾͘𑣿᭨ᬽᭊᯤ̸ཻུ۪۪۪۫ ᭢ຶ⵿ ཀ ⓱+ ▬̸̎͞ ▂▃ . འ ╲╱ ܢ

‎ ض̺̿ ` ♰ ٣ֻٍ ؁. ‎ݻـــى ᡃ. ̬ ضܑܮ. ༩ ♡̸ ࠕ࡛ ㅤܢض̺̿ ` ♰ ٣ֻٍ ؁. ‎ݻـــى ᡃ. ﷴ. ̬ ꧓. ۽ ؆. ضܑܮ. ༩ ♡̸ ࠕ࡛ ㅤܢㅤㅤ𐬦ㅤㅤ. ⃝꙰⃝꙰⃝꙰⃝꙰. ۱̣. 𐧘. ᜧ ‎ﷻ ༒ 𓂋 ׂ ׅ ◞ ͙ࣳ 𒑟 𒃽 طو 𒁍 ‘ … 𒊏 ..𒆨 ‘ ‎ ٸٸ 𒋤 ༏།། 𐎱̸ 𒑎 ༏།། ۪｀‎༦ དྷ ༮‎ ༏། 𒉴 ⣋ ▍ 𒂇 𒌩 𒋲 ` ‎𒀀 𝄒 𒉾 ᷅᷆ 𒊓 … 𒊏 𒑟༒𒈜 ༑ 𒁇 ༮ ཛྷ 𐎱̸ ۗ 𒍮 𒑊 ฅ 𖡍 ⁛ ᭭ ˚ ▊ ¹⁸ ☡١ 𖤓 𒂭 𓊑 ¸ ݊ 𖤛 𓈒◌ ✧ ◌⃘ ݁ ◍ ◌ ׂ 𓈒 ·˚ ﹙ أتى 𓇻 𓂋 ༺ ༻ ۰ 𓆤 ࣭ ႋ ׅ ํ ཆི ្ ཆྀ 𔓎 ﹏ 𒈒 ៚ ٠. 𒈞 𒍮༦␍ ༂ ۬۟ﷻ𒇤𒇳𒉼𒅒𒂤˓ ۗ 𑣿 𒂝 ࣪‎ 𒁍 ࣪ཧ ⸯⸯ𒊒