Not an anon, but still curious: what are your thoughts on braids and binding one's hair, particularly in the context of Ukrainian folklore? What is its use and meaning? I believe we have discussed this before but it has been on my mind lately, so I would be interested in any thoughts you might have.
There is, of course, the practical part to it - in a historically largely farming area, it makes sense to put your hair away from your face. And thus a long, thick, preferably black braid becomes an indicator of someone’s well-being and an important part of the folk beauty ideal, alongside dark, arched eyebrows, red cheeks, and a strong yet slender figure. It also signifies a woman’s neatness and modesty. In Ukrainian, when someone is described as простоволоса, it not only speaks of their unbound hair, but also implies, in the best case scenario, the individual’s distress or mental illness, or their existence outside of society and its norms, often through strange or immoral behaviour. In that sense a braid is as much of a mark of civilisation as a belt is.
The perspective on hair can be traced not only through a belief that is straightforwardly about it, but also through rituals and superstition that involve it. We see the obligation for married women to put their hair up and thoroughly cover it, otherwise she may be the cause of illness and misfortune upon her household or even entire village - it would have been easy to dismiss it as a mechanism of societal control, if unbound hair was not featured in rituals with a clear magical purpose, or during childbirth, with aim being to help the newborn pass through into this world, to untie everything that may hold it back. Hair becomes, pardon my unintentional pun, thoroughly entangled with the notion of a life path, of experience and personal, even magical power.
We see a similar sentiment in certain marriage rituals, in which the bride’s hair is braided into one strand and even cut off. The former was more common in the past: the hair is let down the morning of the wedding, and into it braided coins or items symbolising protection and prosperity. It after can be cut off to regrow in the marriage, by her older brother or the husband, and the woman’s head is immediately after covered never to be shown bare to anyone outside of her immediate household. That is the moment she becomes a wife. In the modern day, the ritual, still widely practiced in West Ukraine, usually looks like putting some money into the bride’s hairstyle or, more traditionally, a single braid, and letting a younger brother comb it out before putting a bridal veil on.
Magically, hair can be used to represent an individual for potentially malicious spells, and it is believed that if a bird takes the hairs someone loses to build a nest, they shall suffer from headaches.
And so, hair put up traditionally shows personal decency and reproductive and societal role, the hairstyle serves a protective function for a part that signifies someone’s life, power, and the very person - but also, even though it is not so frequently talked about, it serves to divide time and space. It is acceptable not to cover your (still braided once the person leaves childhood) hair when unmarried, and so it separates single and paired life. It is acceptable not to be covered in the presence of your husband, and so it separates home and intimacy from the outdoors and more practical relationships. It is acceptable to let your hair loose for a ritual, often performed at night in solitude or in the company of other women, and so it separates a magical action from a mundane one.
The principle is expressed in my own practice, even though I shall be the first to admit not to have given it that much thought: I myself cover my head for formal prayer, put my hair up when I expect to be in front of strangers, and last I cut it was very much in the first couple of weeks of speaking to my beloved. I am starting to suspect ancestors were involved in the last decision. Dead people, I swear.
The belief in evil eye, intentional or not, is rather prevalent in Slavic lands in general and in Ukraine in particular. Perhaps the most notable example is the tradition of not showing newborn babies to anyone but the closest relatives - hence why many a young mother can be seen avoiding public spaces and covering the baby carriage so that the child is not visible when it can not be avoided.
Naturally, such a belief produces many a way to protect oneself from ills brought by tempting the fate and glances filled with envy. An obvious example would be a cross, or any other symbol that signifies divine protection. A red string, preferably woolen, tied with seven knots around a person’s left wrist is worn for the same purpose; it is believed that when the string is torn or lost, it has completed its purpose, perhaps due to the number or the strength of the attacks, and is no longer of use - so a new one should be tied. A safety pin can be worn pinned to the wrong side of clothes near chest area - interestingly, knives or needles by doors or windows similarly protect homes and vehicles. A piece of clothing worn inside out protects both from evil eye and from malicious or overly playful spirits. It is believed that when a Lisovyk leads you away from your path in the forest, putting something on inside out, boots on the wrong feet, or looking around upside down between your legs - making something one way or another wrong, not-you or not-human about your appearance or perception, - should help you see through the spirit’s tricks.
Certain protective elements are imbedded in the traditional costume itself - vibrant colours and reflective surfaces distract the malicious eye from the individual, which is considered especially important for young, attractive people. You can have a mirror on your person for that purpose - or, once again, put one in your window, facing the street.
One, of course, could benefit from the knowledge that a person with a strong will and mind is harder to influence, so a positive outlook is a useful and inexpensive tool to have in your kit along with sharp objects and colourful accessories.
"Many cultures have shared the belief that it is possible to transfer illness to other people or to animals. Before the understanding of germs became widespread, the transference of illness was perceived as an unnatural event. Pain and illness, for example, were often seen as being cast by an evil glance. Among Ukrainians in Alberta, the wax ceremony has been a culturally significant way of getting rid of evil eye, which is still feared by many people, especially the older generations.
During the wax ceremony, the pain is removed or flushed out from the body. It is transferred to an inanimate intermediary, water or wax. This is most clear in those cases where the water is discarded in some place where nobody will ever walk. This practice reduces the chances of illness being transferred to some unfortunate person."
The Word And Wax: A Medical Folk Ritual Among Ukrainians in Alberta by Rena Jeanne Hanchuk
Hi! May I ask for some folk magic that you know?
That is a very broad topic! But I will share a tidbit or two from my arsenal of Ukrainian Folk magic.
A very easy and effective protection against the Evil Eye (оберіг від вроків) is to form the fig-sign (дуля, pronounced dulya ) in your pocket. If you’re not sure what a fig sign is, it looks like this:
Another very common protection is to hide a safety pin under one of your garments of clothing. Unlike the common red thread protection found in many cultures, including Slavic cultures, the importance of discreetness is stressed when it comes to the safety pin and fig-sign.
Other ways to protect yourself from the Evil Eye is to carry Blessed Salt or even a Blessed Cross around your neck.
And finally, if you do or say something taboo that may bring the Evil Eye upon you, spit (not with full on saliva but more gently, like with air) over your left shoulder three times. This method will not lift the effect of Evil Eye from you in the more extreme cases. In more extreme cases going to your local knower (той хто знає) to have them lift it from you.
This is in no way a complete list, but some my personal favorites.
May the Most Holy God-bearer cover you with Her wings!
The Zoryas✨
What follows is a few insights from years of research and practice within my own culture, as I am entering a Filianic space. Due to the nature of this format and the largely educational goal, it would be impossible to reflect the full image of these folkloric figures as seen by the original peoples; on the other hand, quite obviously, none of the information below was initially intended to be viewed from this perspective, and as such is to be taken as a partial and personal impression of an lived culture that is to be respected in its own right.
The Zoryas are a Slavic folkloric figure group associated with largely love and healing. The most common contexts for invoking them are magical incantations and folk songs.
The name, which is plural, literally means "stars", which is, of course, a potent symbol of hope and reassurance in the Filianic faith. They may be encountered as a group of three, calling to the trinitarian nature of the practice, the Evening, Midnight, and the Morning Star, each assigned a somewhat different character (usually sorrowful, pensive, and joyful), or as a singular being. In many examples there are also parallel texts in active use that either call upon them, or replace them, it seems fully equivalently, with Mother Mary.
Though adorned and certainly involved in what one would assume gentle matters, in many cases they are shown in a knightly form, riding horses across the sky, measuring time and watching over us, sovereign and never paired to a male.
As mentioned before, their presence is welcomed for protection and healing, and love. This once again showcases their general care for universal order, as in a sense healing and safety are just a restoral of harmony to body and life.
Then, of course, young women looking to find love would near universally call the dear sisters to ignite the feeling in another's heart and make themselves irresistibly attractive. Romance being self-explanatory, the love we have in our hearts is a sister to the love that drives particles to motion, spirit to action, and a human being to seek companionship of any kind. Going hand in hand, - and this is where we enter the realm of a personally held belief, - the cultivation of beauty within your own self is a divinely driven desire for joy and pleasure in everything, a way of honouring your person as a divine being. Similarly to this, an artist would generally endeavor to depict a deity or a saint as pleasingly as they can, as as not to idolize but to show respect towards them and grace within them.
Personally, as a Ukrainian and a perennialist, these figures to me speak of the universality of certain principles that reoccur within the human psyche due to experiencing them directly. This is the seed of truth within the image that grows from it.
On the other hand, of course, I am speaking here in a very incomplete manner. Any questions are welcome.
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Hello! Regarding your post about opening asks, I was wondering if you have any advice about searching for Ukrainian sources about folklore/magic/superstition etc that are actually specific to Ukrainian beliefs? Every time I try to do research I find things that *say* Ukrainian, but all the sources are Russian. For example when I try to read about Mokosh, who is said to be an earth goddess for "all slavic people" (already a red flag statement) I can only find Russian sources and stories. People tend to lump us into one group, an issue Im sure you're familiar with. Either way, thank you for your time!! <3
That is a simple one - you would have to be more specific in your research. Do not look up Ukrainian beliefs about Mokosh, Ukraine nor Ukrainians (or Russians, for that matter) did not exist when this deity was worshiped. Research the history itself, or any particular region, subject, or group, and make your own conclusions.
With Mokosh, however, the trick is that the one reliable primary source in existence, the Tale of Bygone Years, also known as the Primary Chronicle, only states the name itself, without a hint towards gender or patronage. The rest, academically, is conjecture derived from romantic pet theories and the images of the Virgin Mary and St. Friday in folk imagination. This is not to say there is no earth goddess making herself known through this name, or through the saints mentioned, for that matter, but it has to be acknowledged there is no way of knowing who this being was at the time of writing.
Attach a safety pin to clothing to protect the wearer from bad energy.
Mostly done by parents for their children, but adults have been known to attach pins for themselves.
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Is there a creation story in Slavic mythology ? Or multiple versions of a creation story ? I’m quite curious about it
Oh yes, multiple creation stories can be found in Slavic folklore. Although they were significantly transformed by centuries of co-existing with Christian belief and theological teachings, they contain elements that betray them as blatantly un-Christian in origin. They have quite a lot of regional variety but also many common themes.
The concept of primordial waters is almost universal and it frequently appears in conjunction with the story of an animal or a person diving and bringing a grain of sand from the bottom of the waters to it’s surface to create the earth. This is sometimes referred to as “the motif of fished out world” (”świat wyłowiony”, it sounds much cooler in Polish and other Slavic languages).
In one of the stories the God (unnamed, or more likely rendered nameless by Christianity) dives into the primordial waters and a grain of sand gets stuck under his fingernail. Where it falls out the earth is formed. The God is frequently accompanied by another character, in later folk tales rendered as the Devil. Here we have our un-Christian element. The two supernatural characters are of equal or nearly equal standing and have to co-operate to create the world. According to the tale found on the territories of Poland and Bulgaria, God orders the Devil to dive to the bottom of the primordial waters and bring back a small lump of soil. In Bulgarian version the Devil fails to achieve this feat by calling solely on his own power but succeeds when calling upon the joint powers of himself and God. In other tellings the Devil has to turn into a bird to complete his mission. In certain regions, especially in Russia the devil has clearly ornitomorphic qualities, an idea borrowed from neighboring Finno-Ugric and Mongolian peoples. In a Carpathian folk songs we can find the world created by a pair of pigeons diving for the dirt, a trace of two divine powers, both with ornitomorphic form.
From this scrap of soil brought to the suface by the Devil God shapes the world, like an island on the endless waters. The Devil becomes jealous of his cration and wishes to rule the newly formed land alone so when the God falls asleep the Devil attempts to push him off the island into the water. To his suprise no matter how much he pushes, drags and rolls the God around, the earth seems to stretch below them, like dough under a rolling pin. In the end they do so much pushing, dragging and rolling that the great wide world we know is created. In a different telling (known in Russia and Ukraine) the Devil hides some of the fished out soil under his tongue hoping to create a land of his own, but the lump of dirt starts miraculously growing, bursting out of his mouth and forming mountains. In other versions of the story God accidentally creates too much dry land and there is no longer space for water - so God either eavesdrops on the Devil or asks his advice in order to solve the issue (Balkans).
And they said: “We know how man was created”. And he asked: “How?” The two of them said: “God was washing in a bathhouse, and he began to sweat, and he wiped himself with a cloth of herbs, and he threw it from heaven down to earth. And Satan began to argue with God about who would create man from it (the cloth). And the devil created man, but God put the soul in him. That is why, when a man dies, his body goes to earth and his soul to God”.
- Tale of Bygone Years
This leads as to another common motif, the stories in which the earth is a rocky, barren place and God either sacrifices his own body to make it habitable or sends a magical prophetic rooster to provide people with water (Slovenia).
The heathen also recounted that the world was totally barren, nothing but rocks. It bore no fruit, but there was no need for food anyway. Among the people lived God himself, with spirit and body, and he fed people with manna from heavens. Yet people were unhappy, for they feared God’s greatness and splendour. Constantly trembling, they could neither enjoy their food and drink nor make merry. God felt pity for them. He separated from his body and moved to heaven. His body decomposed and turned into fertile soil. In God’s soil, people cultivated their own food and no longer needed the manna from heaven. It was only then that they started to enjoy their life and were happy.
- Supernatural beings from Slovenian myth and folklore by Monika Kropej
Then we have some tales in which the world drifts on top of the primordial waters, possibly supported on the back of a giant fish or a sea snake. On the territories of Slovenia and Serbia we find mentions of the world being supported by a bull or a fiery dragon. Some slavists also speculate on the existence of “Cosmic Egg” creation story based on the common bird motifs and certain themes that can be found in traditional fairy tales.
Sources: Álvarez-Pedrosa, J. A., Sources on Pre-Christian Slavic religion (p. 287) Gieysztor, A., Mitologia Słowian (p. 156-159); Kropej, M., Supernatural beings from Slovenian myth and folklore (p. 17-29); Szyjewski, A., Religia Słowian (p. 27-38).
"A Ukrainian ceremony in which an egg was used to cure fever has been documented. A Babka rolled an egg over a patients body and then broke it into water. The cure was said to be guaranteed if the healer was able to discern the cause of a fear by interpreting the egg-white formations (Podolinskii 1879, 186). In other descriptions, an egg was rolled over an inflicted person and thrown to dogs to eat (Chubinskii 1872, 42, 131)."
The Word And Wax: A Medical Folk Ritual Among Ukrainians in Alberta by Rena Jeanne Hanchuk
In Carpatho-Ukraine and Hutsul belief, the common rue (ruta graveolens), which normally blooms yellow, will bloom red every ten years. The red ruta, featured in literature and folk songs, can be used to charm a person of your desire.
It is also believed that during storms the devil can find shelter in the rue plant.
(translated by me from Магія Українців - Лілія Мусіхіна; Ukrainian Magic by Lilia Musikhina)
I just needed to get some of my thoughts out on this topic so this may seem very unorganized and chaotic, but I hope to have better organized posts that are much more informative and stick to a single point, but I do not have the time for that currently with everything going on at university. The concerns I raise are found consistently in Western academia, “Slavic academia” (whatever that means), and of course on tumblr which pulls heavily on outdated materials because thats all they have access to. I am currently compiling a list of articles in English which I think may help clear some of the misunderstandings and offer actually credible/up to date sources, but you’ll have to wait for that.
Also, as a disclaimer, I am not an academic on Slavic polytheism or a professional on the matter (yet!), but these random musings come from years of personal research. And when I say years I mean years. But to just quickly state the biases I might have: I am practitioner of the folk religion of the Slavic peoples, but more specifically the Ukrainian branch of it. Most of my resources have focused on the Ukrainian flavor of the Slavic pre-Christian faith, but most definitely not exclusively as that would be impossible to get any sort of understanding of the faith without comparing it to my neighbors.
First and for most, Slavic polytheism has had influence from the Nordic and Germanic polytheisms, but it is no where the closest or most related. I see this mostly in imagery and how people conceptualize the deities. Thor and Perun are not two sides of the same coin, sure they might have similarities being both derived from an Indo-European source, but seeing Perun as a Slavic Thor is very much bad academia. Slavic polytheism and folklore has a whole load of connections to ancient Iranian polytheism. I would even venture to say that Slavic polytheism is a very interesting blend of Baltic and Iranian mythologies and folklores. This is not to say it is one and the same, but when looking into comparative studies these will offer the richest and most accurate comparisons.
We need to stop seeing Slavic polytheism in terms of Christianity and other institutionalized/state religions (Like Greek or Roman polytheism). Knyaz Volodymyr attempted to institutionalize the Slavic pantheon and failed, converting the people to Orthodoxy only a couple years after this attempt. His pantheon was not universal to Slavs. It pulled from various Slavic tribes and non-Slavic tribes and therefore is perhaps more representative of the elite’s conceptualization of the deities, and not of the common people.
Attempting to reconstruct the Slavic religion without recognizing ancestor veneration is impossible. This is the backbone of the entire religion. The deities were seen as the first ancestors, not like in Greek polytheism where the Gods are a different “species”, for a lack of a better term. We see this reflected in folklore about the Saints being the people’s ancestors, or naming the Moon as an ancestor.
(This concern is more pointed towards people who wish to worship the slavic gods: You can not worship Perun or Veles or Mokosh, etc. without worshiping ancestors. I mean you can, but you aren’t reconstructing the slavic faith, but rather implanting Perun into a, dare I say, New Age/Wiccan(?) structure/conceptualization of paganism.)
People need to start changing how they conceptualize the Slavic pantheon not as a rigid religion controlled by a state, like Greek or Roman polytheism, but rather look into folk religions like Vodou, and rely more on Folklore then on sources writing about the Slavic pre-christian faith through a Christian lens. Of course these few and far between sources can point us in a direction, but when reconstructing the “theology” of the Slavic faith it gives us close to nothing. What I mean is, these sources do not offer anything in terms of how the pre-christian slavs conceptualized the the cosmos, spirits and their gods.
I’m not even going to touch the embarrassing amount of fake gods propagated in academia and on tumblr. I tried making a post about this and failed because i didn’t even know where to start. And many gods are just mislabeled rather than being outright forgeries (I’m looking at you Svarog and Stribog). But please don’t say that every holiday name (Koliada, Kupala, etc.) are gods… and stop with Bilobog and Chernobog… I can’t take it anymore (sarcasm, I will fight you to my grave and then some more in the afterlife).
These ideas and theories are of course are based of my own research, and these ideas will continue to shift as more knowledge is brought to light. Also do not take this as gospel, this is mostly ramblings. When the Gods and ancestors allow it, I want to support these claims with sources so people can read them and decide for themselves. Would love for people to submit their own evidence and theories and claims, so we can have a discussion about the faith that means so much to us.
“Don’t look up at the heavens—there is no bread there. As you get closer to Earth, you get closer to bread”
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