I Was Getting Pretty Fed Up With Links And Generators With Very General And Overused Weapons And Superpowers

I was getting pretty fed up with links and generators with very general and overused weapons and superpowers and what have you for characters so:

Here is a page for premodern weapons, broken down into a ton of subcategories, with the weapon’s region of origin.

Here is a page of medieval weapons.

Here is a page of just about every conceived superpower.

Here is a page for legendary creatures and their regions of origin.

Here are some gemstones.

Here is a bunch of Greek legends, including monsters, gods, nymphs, heroes, and so on.

Here is a website with a ton of (legally attained, don’t worry) information about the black market.

Here is a website with information about forensic science and cases of death. Discretion advised.

Here is every religion in the world.

Here is every language in the world.

Here are methods of torture. Discretion advised.

Here are descriptions of the various methods used for the death penalty. Discretion advised.

Here are poisonous plants.

Here are plants in general.

Feel free to add more to this!

Tags

writeblr research writing resources writing research

Writing Description Notes:

Updated 9th September 2024 More writing tips, review tips & writing description notes

Facial Expressions

Masking Emotions

Smiles/Smirks/Grins

Eye Contact/Eye Movements

Blushing

Voice/Tone

Body Language/Idle Movement

Thoughts/Thinking/Focusing/Distracted

Silence

Memories

Happy/Content/Comforted

Love/Romance

Sadness/Crying/Hurt

Confidence/Determination/Hopeful

Surprised/Shocked

Guilt/Regret

Disgusted/Jealous

Uncertain/Doubtful/Worried

Anger/Rage

Laughter

Confused

Speechless/Tongue Tied

Fear/Terrified

Mental Pain

Physical Pain

Tired/Drowsy/Exhausted

Eating

Drinking

Warm/Hot

Tags

writing writing tips ao3

39K notes View Post

redibanni

2 years ago

Some old notes on three-point lighting 💡

5K notes View Post

redibanni

3 months ago

Pacing Through Sentence Length in Writing

You ever notice how a scene can feel like it’s dragging or speeding up based solely on the length of the sentences? Sentence length isn't just a technical detail—it’s a pacing tool. When used right, it can control the speed and tension of your story. Here’s how:

Short Sentences = Speed, Tension, Impact

Short, snappy sentences are like quick breaths, instantly pulling the reader’s attention. They mimic fast action, nervous energy, or urgent thoughts. They create momentum. Think of action scenes or emotional moments—often, less is more.

Example: The door slammed shut. His heart raced. She was gone.

In just three sentences, you feel the urgency, the chaos, and the emotional weight of the moment. It’s all about breaking up the narrative with these quick hits to keep the reader on edge.

Long Sentences = Build-up, Reflection, Depth

On the flip side, long sentences slow things down, adding complexity, reflection, or tension. They’re great for moments of introspection, world-building, or setting a scene in rich detail. These sentences create a flow, pulling the reader into the character’s headspace or the atmosphere of the moment.

Example: The wind howled through the narrow alley, carrying the distant sounds of a city that never seemed to sleep, never seemed to rest, and in that eternal hum, he wondered, not for the first time, if he would ever find peace here or if, like everyone else who tried to escape the shadows, he would simply become another part of the city’s endless noise.

Here, the length of the sentence mimics the complexity of the thoughts—heavy, reflective, almost hypnotic. It builds tension not with action but with an overwhelming feeling of being stuck or trapped in thought.

Combining Both = Dynamic Flow

The real magic happens when you mix short and long sentences. This creates a rhythm—suddenly, a break in the flow, a quick shock, and then back to a longer, more drawn-out moment. It reflects real life: quick bursts of action or emotion followed by moments of pause or thought.

Example: He reached for the door. It was locked. His heart pounded, each beat a reminder of how badly he needed this. There were no other options. There was no way out. The key could be anywhere. And he could not afford to wait any longer.

TL;DR:

Long sentences = build tension, create depth, set mood. Short sentences = ramp up urgency, show action, make an impact. Mastering this flow is a game-changer for pacing!

Tags

writing writing tips

2K notes View Post

redibanni

1 year ago

On Editing

This was forwarded to me by a former colleague who attended a course on how to publish/edit a book. You probably already know most of these tips, but there might be something you’ll find helpful, who knows…

QUESTIONS TO ASK DURING FIRST PHASE OF EDITING

GENERAL STRUCTURE OF THE BOOK (what the story is and how it is being told):

What is the book about? What is the driving force behind the narrative?

Who is the audience for this book?

Is it based on real experience?

Does the story work? Are there any parts that feel unconvincing or where the narrative drags?

Are there any parts I don’t understand?

What is the trajectory or the shape of the story?

Does the story start in the right place?

How quickly do I become immersed in the book?

Are there any points where my immersion in the story is broken, or I lose interest?

Do I believe in what I’m reading?

How satisfying is the ending? Does it feel inevitable?

Does it feel like anything is missing?

Is there anything extraneous (characters, detail, unnecessary plot points)?

What is the narrative point of view (first person, second person, third person)? Does it change? Is it consistent? Does it work? What might be lost or gained if the story were told another way?

Is the tense consistent? If it changes, is it necessary?

Does coincidence feature as a plot device? If so, is there another way to engineer the same events?

Keep reading

Tags

creative writing writing community editing editing tips I NEED THIS. THANK YOOUUUUUU

6K notes View Post

redibanni

2 years ago

I updated my taglist with links to the more noteworthy theories.*

*…that doesn’t necessarily mean they’re good. they just got a lot of notes.

Here’s are the links for mobile users:

Undertale:

A CHARActer Analysis (bring snacks)

Don’t GOAT Breaking My Heart

The Soul in the Machine

Where is Frisk Post-Pacifist?

Deltarune:

Susie was not in a good place at the beginning of Ch 1.

I think we should try taking a closer look at where she came from to understand what her state of mind was back then.

Susie isn’t from Hometown.

Wherever she was from, she was not treated well.

And, upon coming to Hometown…things weren’t much better.

Susie Was Not In A Good Place At The Beginning Of Ch 1.

In Hometown, Susie is

Chronically underfed

Likely homeless

Hated by most of her classmates

Close to being expelled and losing her last tether to a normal life

Susie was at the very, very end of her rope at the beginning of Chapter 1.

Keep reading

Tags

deltarune it's a heavy one metta

3K notes View Post

redibanni

2 years ago

5 Books to Read to Write Better Stories

The newest post on my blog discusses five books that I think are essential to helping writers grow. They break the craft apart in easy-to-read ways. You'll treat yourself to funny lessons and entertaining perspectives while strengthening your ability to write captivating stories.

Check out the post here!

Tags

writing tips book recommendations book recs

64 notes View Post

redibanni

2 years ago

i'm AWARE this is a stupid hill to die on, but like. trope vs theme vs cliché vs motif vs archetype MATTERS. it matters to Me and i will die on this hill no matter how much others decide it's pointless. words mean things

90K notes View Post

redibanni

2 years ago