Ever wonder why some ellipses seem to have three dots and others have four? Some have spaces between each dot and some don’t? Why sometimes you capitalize after an ellipsis and other times you lowercase?
To be honest, I don’t think most of us were taught properly how to use an ellipsis. I know I wasn’t. I see a lot of writers who don’t understand all the rules of ellipses either.
Some of you may be wondering what an “ellipsis” is. It’s a fancy name for the three dots or “periods” you see in writing ( … ). The word “ellipsis” is Greek for “omission,” which is what it does. It shows that something has been omitted or left out.
Now with research papers, this might be obvious. Maybe you are quoting a source and don’t want to quote every single word of it, so you use an ellipsis to show that you left some stuff out. Like this:
Full quote:
“You know you’re in love when you can’t fall asleep because reality is finally better than your dreams.” - Dr. Suess
Quote with omission:
“You know you’re in love when … reality is finally better than your dreams.” - Dr. Suess
In fiction, we usually aren’t quoting sources. But the ellipsis works in similar ways, it conveys that something is omitted. This might be something directly omitted. Mamma Mia uses this method well:
July seventeenth, what a night. Sam rowed me over to the little island. We danced on the beach, and we kissed on the beach, and …
The ellipsis is used to imply they got intimate, but that part is “omitted.”
Other times things are omitted because they are incomplete–maybe an incomplete line of dialogue such as when a character trails off.
“I started to go to the school, but …” she trailed off.
Or an incomplete thought.
Would she actually want … ? she wondered.
Or maybe something is “omitted” for the sake of something else, like a character trying to censor or tone down his word choice.
“Sarah is really very … fanciful, isn’t she?” David said.
In pauses like this, the ellipsis may convey thinking. It’s completely fine to use them that way.
In rare occasions, an ellipsis might be used to indirectly convey the passing of time.
She ate … she drank … and she went shopping.
And you may occasionally see them used other ways stylistically, but these are the main situations.
In a sense, though, in all these examples, something is omitted, whether it’s directly, or indirectly, like an incomplete or changing thought, or actions in between.
When used smartly, ellipses can be powerful in fiction because they convey more than what is on the page, and that is vital to good storytelling.
Too often, however, newer writers just throw them in because they like the feel and sound of them or the long pause, or even in some cases … because they are lazy. Make sure if you use them, they have a point.
Now let’s get to the technicalities. Years ago, I used to be confused that sometimes ellipses seemed to be three dots and other times four, and I didn’t know when to use which. Ellipses are three dots. However, if it comes after a complete sentence, you still use a period.
I was so hungry… . chicken, cereal, tofu, pasta–all of it sounded good.
If it follows an incomplete sentence, you don’t use a period.
“You know you’re in love when … reality is finally better than your dreams.” - Dr. Suess
If the words after the ellipsis are the start of a new sentence, you capitalize them.
"They treated me like … Want to go to dinner?“ she asked suddenly.
If not, you don’t.
When it comes to spacing before and after an ellipsis, handle it how you would a regular word.
Sarah was really very[space]…[space]fanciful.
“I started to go to the school, but[space] …[no space]” she trailed off.
One exception to this is if there is a question mark following.
Would she actually want[space]…[space]? she wondered.
According to The Chicago Manual of Style, ellipses should have a space between each dot.
Would she actually want[space].[space].[space].[space]? she wondered.
However, in APA style, there are no spaces between dots.
Would she actually want … ? she wondered.
Fiction typically follows The Chicago Manual of Style, but you may still see the ellipsis with no spaces, especially since word processors sometimes reformat ellipses automatically. So while technically they should have spaces between each dot, you probably aren’t going to get reprimanded if you don’t. Even The Chicago Manual of Style notes that some places will be fine with the no-space ellipsis. I use spaces because that’s how I was corrected by a mentor once.
One more thing: Ellipses do not signify an interruption.
WRONG:
“I wish …”
“Shut up!” Mike interrupted.
Use em dashes for that.
Correct:
“I wish–”
“Shut up!” Mike interrupted.
Dashes are another subject.
But hopefully now you know how to handle ellipses!
writing doesn’t get easier.
sometimes you have to write for the sake of writing.
plot should be allowed to change.
the story in your mind will never perfectly translate into text and that’s okay.
characters change, they’re supposed to change.
you’re supposed to enjoy what you write.
educate yourself about the different cultures you write about.
your friends shouldn’t be your critics.
the side character you love so much? sometimes they need to be cut from the story.
write what you want to read and not what you think people want to read.
there is no age limit in publishing, you have all the time in the world.
not every idea will grow into a story, sometimes you need to let go.
love your story, because it will be just the two of you for a while.
it’s okay to not write every day, that doesn’t make you less of a writer.
Day-to-day practical and minor stuff, specially regarding hair
If you have curly/afro hair then you are only going to need to wash it one or twice a week
But it can take a while. When I had long hair it used to take me 2h in the bathroom to properly wash it. That's why I only did it once a week. But it really will depend of the thickness and lenght of their hair.
It can be a little harder to find products for their hair, because straight/wavy hair products don't work on ours
If you wash curly hair many times a week it will eventually lose its nutrients, differently from straigh hair
If your character originally had curly hair but straightened it, it's probably going to look a little drier than naturally straight hair. it's a case-case scenario, though
If they have a skin care routine or want one they'll also need products made specifically for black skin
Your character is not immune to sunburns. It's harder to see if it gets red depending on how dark their skin is, but it's there. The more melanin they have, the more protected from the sun they are, but it's not gonna 100% prevent them from getting sunburnt.
Oh, and it can be pretty hard to dye it because first, if your hair is very dark, you have to decolor it, and depending on how black it is it can take a while and a few tries to get in a tone good for dying.
If they have long hair they're probably going to take a while combing it because you have to apply the hair cream lock by lock
They may have a haircare routine every month or so. Not everybody does it but if your character is disciplined and wants their hair to be extra healthy and neat they'll probably have one
If they care a lot about their appearence they'll probably have a lot of hair brushes of different types because depending on your brush you can comb it in a variety of ways, making your hair look fuller, making the curls look defined, etc.
I don't know how accurate some of these are, but they can be useful
tip for adhd writers:
everyone will tell you to outline, to anaylze every personality trait of your characters and plan every plot point, but the truth? don’t. not only does it waste precious spurts of motivation, but it makes it less enjoyable. and what happens when adhders don’t enjoy something? we lack the motivation and focus needed for it.
i used to write, 24/7, and i developed my characters with vague ideas until they became fleshed out in the story without any extra manipulation and extensive notes. looking back on my old writing, these were the best characters I have ever written.
and then i stopped, and i spent months mapping out my characters to an exact t because I thought it would be better, but when i went to write, it was really hard. it seemed more like a chore. and because i had already planned their attitudes and perceptions, it was almost impossible for me to change anything without worrying about my endless sheets of character analysis.
just write. seriously. you can learn about your characters as the story goes. and then you can edit after. then you can add details and take things out while still having the fun story you enjoyed from the start.
There’s a fic on fanfiction(.)net that I’ve kept tabs on for years to see if it’s been updated or not. While I’m no longer even in the fandom it’s written for, it just has one of the greatest storylines I’ve ever read. Last time it was updated was 2011.
The other day, I decided to reread the entire thing and leave a very in-depth review of what I thought of each chapter. I also mentioned how I started reading it when I was 13 and am now 21, but always came back to see if it was ever finished because I loved it so dearly.
Today, said author sent me a private message saying that her analytics showed that the story was still getting views even after all these years, but no one ever bothered to leave reviews other than “update soon!!!”, so she never felt motivated enough to finish it. She said that me reviewing every single chapter with lengthy paragraphs made her cry and meant the world to her. She also mentioned that she felt encouraged to write the two remaining chapters needed to complete the story and that she would send me a message the night before she updates the fic.
I’m literally sobbing. I’m so excited :’)
Please always remember to leave a review when reading fanfiction!!! It means a lot to a writer.
╰ Facial expressions
These are your micro-signals, like the blinking neon signs of the soul. But they’re small, quick, and often lie harder than words.
Raised eyebrows — This can mean surprise or disbelief, sure. But it can also be a full-on, silent “Are you serious right now?” when someone’s being ridiculous. Or even curiosity when someone’s too emotionally repressed to askthe damn question.
Furrowed brow — That face people make when they’re doing long division in their head or trying to emotionally process a compliment. It’s thinking, yes—but also confusion, deep frustration, or quiet simmering rage.
Smiling — Can be happiness… or total fake-it-till-you-make-it energy. Some smiles are stiff. Some don’t reach the eyes. Show that.
Frowning — Sure, sadness. But also: disappointment, judgment, or the universal “I’m about to say something blunt, brace yourself.”
Lip biting — It’s not just nervousness, it’s pressure. Self-control. Anticipation. It’s the thing people do when they want to say something and decide, at the last second, not to.
╰ Eye movement
The window to the soul? Yeah. But also the window to when someone’s lying, flirting, or deeply trying not to cry in public.
Eye contact — Confidence or challenge. Eye contact can be gentle, curious, sharp like a blade. Sometimes it’s desperate: “Please understand me.”
Avoiding eye contact — Not always guilt. Sometimes it’s protectiveness. Sometimes it’s “I’m afraid if I look at you, you’ll see everything I’m trying to hide.”
Narrowed eyes — Calculating. Suspicious. The look someone gives when their brain’s saying “hmmm...” and it’s not a good hmm.
Wide eyes — Surprise, yes. But also sudden fear. The oh-God-it’s-happening look. Or when someone just found out they’re not as in control as they thought.
Eye roll — Classic. But try using it with tension, like when someone’s annoyed and trying very hard not to lose it in public.
╰ Gestures
This is where characters’ emotions go when their mouths are lying.
Crossing arms — Not just defensive. Sometimes it’s comfort. A self-hug. A barrier when the conversation is getting too personal.
Fidgeting — This is nervous energy with nowhere to go. Watch fingers tapping, rings spinning, sleeves tugged. It says: I’m not okay, but I’m trying not to show it.
Pointing — It’s a stab in the air. Aggressive, usually. But sometimes a desperate plea: Look. Understand this.
Open palms — Vulnerability. Honesty. Or a gesture that says, “I have nothing left to hide.”
Hand on chin — Not just thinking. It’s stalling. It’s delaying. It’s “I’m about to say something that might get me in trouble.”
╰ Posture and movement
These are your vibes. How someone occupies space says everything.
Slumped shoulders — Exhaustion. Defeat. Or someone trying to take up less space because they feel small.
Upright posture — Not always confidence. Sometimes it’s forced. Sometimes it’s a character trying really, really hard to look like they’re fine.
Pacing — Inner chaos externalized. Thinking so loudly it needs movement. Waiting for something. Running from your own thoughts.
Tapping foot — Tension. Irritation. Sometimes a buildup to an explosion.
Leaning in — Intimacy. Interest. Or subtle manipulation. (You matter to me. I’m listening. Let’s get closer.)
╰ Touch
This is intimacy in all its forms, comforting, protective, romantic, or invasive.
Hugging — Doesn’t always mean closeness. Could be a goodbye. Could be an apology they can’t say out loud. Could be awkward as hell.
Handshake — Stiff or crushing or slippery. How someone shakes hands says more than their words do.
Back patting — Casual warmth. Bro culture. Awkward emotional support when someone doesn’t know how to comfort but wants to try.
Clenched fists — Holding something in. Rage, tears, restraint. Fists mean tension that needs somewhere to go.
Hair tuck — Sure, flirtation or nerves. But also a subtle shield. A way to hide. A habit from childhood when someone didn’t want to be seen.
╰ Mirroring:
If two characters start syncing their body language, something is happening. Empathy. Chemistry. Shared grief. If someone shifts their body when the other does? Take notice. Other human bits that say everything without words...
Nodding — Not just yes. Could be an “I hear you,” even if they don’t agree. Could be the “keep going” nod. Could be patronizing if done too slow.
Crossed legs — Chill. Casual. Or closed-off, depending on context. Especially if their arms are crossed too.
Finger tapping — Time is ticking. Brain is pacing. Something’s coming.
Hand to chest — Sincerity, yes. But also shock. Or grounding—a subconscious attempt to stay present when everything feels like too much.
Tilting the head — Curiosity. Playfulness. Or someone listening so hard they forget to hide it.
Temple rub — “I can’t deal.” Could be physical pain. Could be stress. Could be emotional overload in disguise.
Chin stroking — Your classic “I’m judging you politely.” Often used in arguments between characters pretending to be calm.
Hands behind the back — Authority. Control. Or rigid fear masked as control.
Leaning body — This is the body betraying the brain. A tilt toward someone means they care—even if their words are cold.
Nail biting — Classic anxiety. But also habit. Something learned. Sometimes people bite because that’s how they self-soothe.
Squinting — Focusing. Doubting. Suspicion without confrontation.
Shifting weight — Uncomfortable. Unsure. Someone who wants to leave but doesn’t.
Covering the mouth — Guilt. Hesitation. The “should I say this?” moment before something big drops.
Body language is more honest than dialogue. If you really want to show your character’s internal world, don’t just give them lines. Give them a hand that won’t stop shaking. Give them a foot that won’t stop bouncing. Give them a mouth that smiles when their eyes don’t. And if you’re not sure what your character would do in a moment of fear, or love, or heartbreak, try acting it out yourself. Seriously. Get weird. Feel what your body does. Then write that down.
I got pretty fed up with looking for words to replace said because they weren’t sorted in a way I could easily use/find them for the right time. So I did some myself.
IN RESPONSE TO Acknowledged Answered Protested
INPUT/JOIN CONVERSATION/ASK Added Implored Inquired Insisted Proposed Queried Questioned Recommended Testified
GUILTY/RELUCTANCE/SORRY Admitted Apologized Conceded Confessed Professed
FOR SOMEONE ELSE Advised Criticized Suggested
JUST CHECKING Affirmed Agreed Alleged Confirmed
LOUD Announced Chanted Crowed
LEWD/CUTE/SECRET SPY FEEL Appealed Disclosed Moaned
ANGRY FUCK OFF MATE WANNA FIGHT Argued Barked Challenged Cursed Fumed Growled Hissed Roared Swore
SMARTASS Articulated Asserted Assured Avowed Claimed Commanded Cross-examined Demanded Digressed Directed Foretold Instructed Interrupted Predicted Proclaimed Quoted Theorized
ASSHOLE Bellowed Boasted Bragged
NERVOUS TRAINWRECK Babbled Bawled Mumbled Sputtered Stammered Stuttered
SUAVE MOTHERFUCKER Bargained Divulged Disclosed Exhorted
FIRST OFF Began
LASTLY Concluded Concurred
WEAK PUSY Begged Blurted Complained Cried Faltered Fretted
HAPPY/LOL Cajoled Exclaimed Gushed Jested Joked Laughed
WEIRDLY HAPPY/EXCITED Extolled Jabbered Raved
BRUH, CHILL Cautioned Warned
ACTUALLY, YOU’RE WRONG Chided Contended Corrected Countered Debated Elaborated Objected Ranted Retorted
CHILL SAVAGE Commented Continued Observed Surmised
LISTEN BUDDY Enunciated Explained Elaborated Hinted Implied Lectured Reiterated Recited Reminded Stressed
BRUH I NEED U AND U NEED ME Confided Offered Urged
FINE Consented Decided
TOO EMO FULL OF EMOTIONS Croaked Lamented Pledged Sobbed Sympathized Wailed Whimpered
JUST SAYING Declared Decreed Mentioned Noted Pointed out Postulated Speculated Stated Told Vouched
WASN’T ME Denied Lied
EVIL SMARTASS Dictated Equivocated Ordered Reprimanded Threatened
BORED Droned Sighed
SHHHH IT’S QUIET TIME Echoed Mumbled Murmured Muttered Uttered Whispered
DRAMA QUEEN Exaggerated Panted Pleaded Prayed Preached
OH SHIT Gasped Marveled Screamed Screeched Shouted Shrieked Yelped Yelled
ANNOYED Grumbled Grunted Jeered Quipped Scolded Snapped Snarled Sneered
ANNOYING Nagged
I DON’T REALLY CARE BUT WHATEVER Guessed Ventured
I’M DRUNK OR JUST BEING WEIRDLY EXPRESSIVE FOR A POINT/SARCASM Hooted Howled Yowled
I WONDER Pondered Voiced Wondered
OH, YEAH, WHOOPS Recalled Recited Remembered
SURPRISE BITCH Revealed
IT SEEMS FAKE BUT OKAY/HA ACTUALLY FUNNY BUT I DON’T WANT TO LAUGH OUT LOUD Scoffed Snickered Snorted
BITCHY Tattled Taunted Teased
Fingers tapping rhythmically on a surface.
Shifting weight from one foot to the other.
Checking the time frequently.
Eyes darting to the door or window expectantly.
Taking deep, excited breaths.
Biting the lower lip in nervous excitement.
Rubbing hands together eagerly.
Whispering, “I can’t wait” to themselves or others.
Fidgeting with objects, like twisting a ring or playing with a pen.
Heart pounding with eagerness.
Perking up at any noise that might signal the anticipated event.
Smiling slightly, as if imagining the future moment.
Knees bouncing up and down while seated.
Glancing at their phone or watch repeatedly.
Clutching a piece of clothing or accessory tightly.
Standing on tiptoe to get a better view.
Ears straining to catch any sound.
Swallowing nervously, throat dry with excitement.
Humming or softly singing to pass the time.
Practicing a speech or action they are looking forward to.
Dream sequence/nightmare
Flashback/resurfaced memories
Revealed by psychic reading Whumpee’s mind
Found footage/pictures
Someone finally asks and they explain
As the reason behind a thought process/assumption/belief
Whumper shows up and taunts them
Scars
Through conditioned behaviour
Finding an old journal
Hints dropped in conversation
Have someone who knows tell someone who doesn’t
• • •
Feel free to add others!
Hoist
Dart/Dash
Deflect
Shield
Sidestep
Snatch up
Stalk
Stamp/stomp
Stretch
Stride
Wagger
Oust
Leap
Lose ground
Mimick
Mirror
Negate
Overpower
Parry
Rear to full height
Resurgate
Suanter
Seize
Take cover
Throttle
Twirl
Unleash
Withdraw
Entwine
Flee
Gain ground
Grasp
Cling to
Breach
Duck
Dodge
Amputate
Bloody
Carbe
Castrate
Collision
Connect
Crush
Defenestrate
Destroy
Disfigure
Dismember
Dissever
Grind
Maul
Perforate
Rend
Riddle with holes
Saw
Smack
Splatter
Sunder
Torn Asunder
Traumatize
Whack
Writhe
Gut
Hammer
Maim
Mangle
Plow
Puncture
Assault
Attack
Barrage
Bash
Belebor
Bludgeon
Carve
Chop
Cleave
Clio
Club
Crosscut
Dice
DIg
Gore
Hack
Impale
Jab
Kick
Knock
Onsalught
Pierce
Plnt
Punch
Rive
Shove
Skewer
Slice
Smash
Stab
Strike
Sweep
Swipe
Swing
Transfix
Thrust
Agony
Asphyxiate
Chock
Cough up bile
Cut to ribbons
Flop limply
Fractue
Freckled with blood
Gouts of blood
Grimane
Hemorrhage
Hiccup blood
Imprint
Indent
Resounding
Retch
Rip
rupture
Shiny with gore
Spew
Splash
Slumped in despair
Splatter
Split
Tear
Topple
Void
Vomit
Wedge
With a fell gaze
With a fiendish grin
With blank surprise
Bang
Barking
Bong
Boom
Crack
Cackle
Clang
Clash
Crash
Cry
Echo
Elicit a curse
Frunt
Hiss
Howel
Hum
Moan
Muttering
Whoosh
Whistle
Whizz
With a keening cry
Thud
Thunk
Thawk
Splat
Snarl
Swoosh
Squeal
Sing
Sickening Pop
Silintly
Shriek
Shout
Snap
Thundering
Blind
Burn
Cause frostbite
Cauterize
Concussion
Combust
Daze
Dazzle
Deafen
Disintegrate
Electrocute
Freeze
Fuse flesh
Immobilze
Incinerate
Melt
Pralyse
Petrify
Purbind
Radiate
Reduced to
Shock
Sightless
Stun
Transiluminate
Annihilate
Behead
Decapitate
Disembowel
Eviscerate
Extirpate
Murder
Obliterate
Raze
Exterminate