Yay, unsolicited advice time! Or, not really advice, more like miscellaneous tips and tricks, because if there's one thing eight years of martial arts has equipped me to write, it's fight scenes.
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It's not uncommon for two people to kick at the same time and smack their shins together, or for one person to block a kick with their shin. This is called a shin lock and it HURTS like a BITCH. You can be limping for the rest of the fight if you do it hard enough.
If your character is mean and short, they can block kicks with the tip of their elbow, which hurts the other guy a lot more and them a lot less
Headbutts are a quick way to give yourself a concussion
If a character has had many concussions, they will be easier to knock out. This is called glass jaw.
Bad places to get hit that aren't the groin: solar plexus, liver, back of the head, side of the thigh (a lot of leg kicks aim for this because if it connects, your opponent will be limping)
Give your character a fighting style. It helps establish their personality and physicality. Are they a grappler? Do they prefer kicks or fighting up close? How well trained are they?
Your scalp bleeds a lot and this can get in your eyes, blinding you
If you get hit in the nose, your eyes water
Adrenaline's a hell of a drug. Most of the time, you're not going to know how badly you've been hurt until after the fact
Even with good technique, it's really easy to break toes and fingers
Blocking hurts, dodging doesn't
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Just thought these might be useful! If you want a more comprehensive guide or a weapons edition, feel free to ask. If you want, write how your characters fight in the comments!
Have a bitchin day <3
Eyes sparkling with anticipation.
Bouncing on the balls of their feet.
Clapping hands together in delight.
Speaking in a high-pitched, rapid tone.
Grinning from ear to ear.
Jumping up and down with joy.
Hugging others spontaneously.
Cheeks flushed with enthusiasm.
Widening eyes and raised eyebrows.
Waving hands animatedly while talking.
Giggling or laughing uncontrollably.
Unable to sit still, shifting in their seat.
Heart racing with exhilaration.
Feet tapping or legs jiggling.
Practically vibrating with energy.
Exclaiming, "I can't believe it!" repeatedly.
Reaching out to touch or grab someone’s hand.
Dancing or spinning around.
Clutching their chest as if to contain the excitement.
Practicing or rehearsing what they’ll say or do.
I refuse to let anyone give up writing because they get discouraged. Be it because their story doesn't get enough notes, or because they think they're no good. Because that's completely up to perception. I look at my writing and think, "that's not too great." Especially when I compare it to certain others’, honestly. But that just tells me that I need to strive to be better. I need to strive to improve my writing style.
Don't!! Trust me, shit happens. I cannot tell you how many times I've lost things I was writing because of bullshit. Be it computer crashes, hardware glitches that destroyed all my files, or the entire fucking document becoming corrupt for no damn reason.
Honestly?I've probably lost years of work in total due to bullshit. And yeah, it was discouraging! Sometimes, it made me take entire breaks from writing, ultimately leading to me losing interest in the project because I lost interest in the fandom. But in the end, I always came back to writing. And you know what I find? What I write the second time is sometimes better that the first.
Once I rewrote something entirely because the file got corrupted. Well, I managed to restore the data, and reread it. I'll admit that there were some aspects that I forgot to put back in, but ultimately, I decided that the second writing was written better, had better word choice, and better story flow.
You should write for your audience, yes, but you shouldn’t write something because people like it. Write because it’s fun! Write in order to improve! Writing is one of those things that always, always, always improves the more you do it, even if you're just rewriting the same thing.
But if you’re writing something that is uninspiring to you, it’s bound to come out lackluster to you, the creator, even if it doesn’t come off that way to your audience.
And if something doesn’t get too many notes, don’t get discouraged! Keep on writing! Write because it’s fun, not because it’s expected. Unless of course you have a school project, but I’m talking about fictional writing here.
Don’t let unfortunate circumstances or a measly four notes on your chapter discourage you from writing what you want. Because you will always improve your works! Make yourself better! Make that image in your brain better. Sometimes an artist must step away from the canvas to find more colors for their painting.
I got pretty fed up with looking for words to replace said because they weren’t sorted in a way I could easily use/find them for the right time. So I did some myself.
IN RESPONSE TO Acknowledged Answered Protested
INPUT/JOIN CONVERSATION/ASK Added Implored Inquired Insisted Proposed Queried Questioned Recommended Testified
GUILTY/RELUCTANCE/SORRY Admitted Apologized Conceded Confessed Professed
FOR SOMEONE ELSE Advised Criticized Suggested
JUST CHECKING Affirmed Agreed Alleged Confirmed
LOUD Announced Chanted Crowed
LEWD/CUTE/SECRET SPY FEEL Appealed Disclosed Moaned
ANGRY FUCK OFF MATE WANNA FIGHT Argued Barked Challenged Cursed Fumed Growled Hissed Roared Swore
SMARTASS Articulated Asserted Assured Avowed Claimed Commanded Cross-examined Demanded Digressed Directed Foretold Instructed Interrupted Predicted Proclaimed Quoted Theorized
ASSHOLE Bellowed Boasted Bragged
NERVOUS TRAINWRECK Babbled Bawled Mumbled Sputtered Stammered Stuttered
SUAVE MOTHERFUCKER Bargained Divulged Disclosed Exhorted
FIRST OFF Began
LASTLY Concluded Concurred
WEAK PUSY Begged Blurted Complained Cried Faltered Fretted
HAPPY/LOL Cajoled Exclaimed Gushed Jested Joked Laughed
WEIRDLY HAPPY/EXCITED Extolled Jabbered Raved
BRUH, CHILL Cautioned Warned
ACTUALLY, YOU’RE WRONG Chided Contended Corrected Countered Debated Elaborated Objected Ranted Retorted
CHILL SAVAGE Commented Continued Observed Surmised
LISTEN BUDDY Enunciated Explained Elaborated Hinted Implied Lectured Reiterated Recited Reminded Stressed
BRUH I NEED U AND U NEED ME Confided Offered Urged
FINE Consented Decided
TOO EMO FULL OF EMOTIONS Croaked Lamented Pledged Sobbed Sympathized Wailed Whimpered
JUST SAYING Declared Decreed Mentioned Noted Pointed out Postulated Speculated Stated Told Vouched
WASN’T ME Denied Lied
EVIL SMARTASS Dictated Equivocated Ordered Reprimanded Threatened
BORED Droned Sighed
SHHHH IT’S QUIET TIME Echoed Mumbled Murmured Muttered Uttered Whispered
DRAMA QUEEN Exaggerated Panted Pleaded Prayed Preached
OH SHIT Gasped Marveled Screamed Screeched Shouted Shrieked Yelped Yelled
ANNOYED Grumbled Grunted Jeered Quipped Scolded Snapped Snarled Sneered
ANNOYING Nagged
I DON’T REALLY CARE BUT WHATEVER Guessed Ventured
I’M DRUNK OR JUST BEING WEIRDLY EXPRESSIVE FOR A POINT/SARCASM Hooted Howled Yowled
I WONDER Pondered Voiced Wondered
OH, YEAH, WHOOPS Recalled Recited Remembered
SURPRISE BITCH Revealed
IT SEEMS FAKE BUT OKAY/HA ACTUALLY FUNNY BUT I DON’T WANT TO LAUGH OUT LOUD Scoffed Snickered Snorted
BITCHY Tattled Taunted Teased
Cold - frigid, icy, chilling
Hot - sweltering, scorching, torrid
Small - minute, diminutive, petite
Big - vast, colossal, gargantuan
Smart - intelligent, astute, savvy
Dumb - obtuse, vacuous, dim-witted
Fast - swift, rapid, fleet
Slow - sluggish, lethargic, dilatory
Old - ancient, decrepit, venerable
Young - youthful, juvenile, fledgling
Good - excellent, superb, stellar
Bad - dreadful, atrocious, abysmal
Strong - robust, sturdy, formidable
Weak - feeble, frail, flimsy
Funny - humorous, witty, comical
Fingers tapping rhythmically on a surface.
Shifting weight from one foot to the other.
Checking the time frequently.
Eyes darting to the door or window expectantly.
Taking deep, excited breaths.
Biting the lower lip in nervous excitement.
Rubbing hands together eagerly.
Whispering, “I can’t wait” to themselves or others.
Fidgeting with objects, like twisting a ring or playing with a pen.
Heart pounding with eagerness.
Perking up at any noise that might signal the anticipated event.
Smiling slightly, as if imagining the future moment.
Knees bouncing up and down while seated.
Glancing at their phone or watch repeatedly.
Clutching a piece of clothing or accessory tightly.
Standing on tiptoe to get a better view.
Ears straining to catch any sound.
Swallowing nervously, throat dry with excitement.
Humming or softly singing to pass the time.
Practicing a speech or action they are looking forward to.
Relationships, especially in beginner writer’s works, have a tendency to feel forced. Even in some popular and famous works of fiction, the relationship doesn’t feel natural. It seems like a boring afterthought which the writer added in at the last minute. Far too often, I find myself completely indifferent to a character’s romantic life. A good romance in a story will give the reader a bit of second-hand infatuation. They’ll root for the relationship, beg for it. If the romance is well written, you can make a reader smile and blush just by reading a few sentences. When done properly, it can even compensate for a weak and cliché plot.
But first, decide whether the romance is needed. If you’re adding a character to the plot simply for the sake of being a love interest, it’s probably not a needed romance. You can still add it, of course, but it will be much harder to keep your story focused on the central plot.
Step One Make sure the characters have chemistry.
The characters should compliment each other’s personalities. If he’s loud, stubborn, and aggressively opinionated, a more tranquil and soft-spoken love interest would suit him well. Two headstrong people wouldn’t be likely to have a lasting relationship in real life, unless they (impossibly) agreed upon every subject. But, there should be some similarities. While opposites do attract, polar opposites will not and the whole relationship will feel forced. The characters should have something in common. It could be morals, a parallel backstory, the same motivations, whatever. As long as there’s a reason for them to be drawn to each other, there’s potential.
Step Two Slow burn ships are fantastic.
Don’t make your characters fall in love right off the bat. There can be attraction, of course, but genuine feelings of true love don’t happen instantly. Your characters should become closer as people, feel at ease around each other, and truly know the other before they fall head-over-heels. The readers will crave the relationship far more, like dangling a treat right in front of a dog’s nose, but keep pulling it away. Teasing is a beautiful thing.
Find ways of showing (NOT TELLING) the characters are falling for each other. Have them stand up for one another, be protective. Have them break their own normal routine for the other. For example, a callous, guarded character could lower their walls for a moment if their love interest needs emotional support. These scenes can be awkward for the character changing their typical behavior and that discomfort can demonstrate how much they care for the other, altering their own selves for the other’s benefit.
Howeve, make sure that you combine these cute emotional moments with distance. Make the characters deny their true feelings or even distance themselves from their love interest upon discovering their feelings. The more the characters long for each other, the more the reader will long for them to be together. Build barriers between them for your characters to have to work to knock down. Keep them close, but maintain that distance until the moment is right.
Step Three “_____” translates to “I love you”
The first example of I think of when I think of this is The Princess Bride, where the male protagonist tells his soulmate “as you wish” when he really means “I love you.”
This falls under the category of show, don’t tell. Hearing a character say “I love you” has become so boring. Unless it’s done in a surprising confession or unique way, it’s boring and stale.
Come up with a phrase that you can repeat in moments throughout the story until it has a meaning of love for the characters and both know exactly what the other means when it’s spoken.
Step Four Taking a break can help create tension.
You know you loved someone if you leave them and feel awful. Apply this into the writing. Your characters can break up, then get back together in a joyous reunion.
Step Five Not every couple has a happy ending.
Sometimes, things don’t always work out for different reasons. An ending that leaves readers craving more can be a good move.
This is an ultimate masterlist of many resources that could be helpful for writers. I apologize in advance for any not working links. Check out the ultimate writing resource masterlist here (x) and my “novel” tag here (x).
Outlining & Organizing
For the Architects: The Planning Process
Rough Drafts
How do you plan a novel?
Plot Development: Climax, Resolution, and Your Main Character
Plotting and Planing
I Have An Idea for a Novel! Now What?
Choosing the Best Outline Method
How to Write a Novel: The Snowflake Method
Effectively Outlining Your Plot
Conflict and Character within Story Structure
Outlining Your Plot
Ideas, Plots & Using the Premise Sheets
Finding story ideas
Choosing ideas and endings
When a plot isn’t strong enough to make a whole story
Writing a story that’s doomed to suck
How to Finish What You Start: A Five-Step Plan for Writers
Finishing Your Novel
Finish Your Novel
How to Finish Your Novel when You Want to Quit
How To Push Past The Bullshit And Write That Goddamn Novel: A Very Simple No-Fuckery Writing Plan
In General
25 Turns, Pivots and Twists to Complicate Your Story
The ABCs (and Ds and Es) of Plot Development
Originality Is Overrated
How to Create a Plot Outline in Eight Easy Steps
Finding Plot: Idea Nets
The Story Goal: Your Key to Creating a Solid Plot Structure
Make your reader root for your main character
Creating Conflict and Sustaining Suspense
Tips for Creating a Compelling Plot
The Thirty-six (plus one) Dramatic Situations
Adding Subplots to a Novel
Weaving Subplots into a Novel
7 Ways to Add Subplots to Your Novel
Crafting a Successful Romance Subplot
How to Improve your Writing: Subplots and Subtext
Understanding the Role of Subplots
How to Use Subtext in your Writing
The Secret Life of Subtext
How to Use Subtext
Beginning
Creating a Process: Getting Your Ideas onto Paper (And into a Story)
Why First Chapters?
Starting with a Bang
In the Beginning
The Beginning of your Novel that isn’t the Beginning of your Novel
A Beginning from the Middle
Starting with a Bang
First Chapters: What To Include @ The Beginning Writer
23 Clichés to Avoid When Beginning Your Story
Start Writing Now
Done Planning. What Now?
Continuing Your Long-Format Story
How to Start a Novel
100 best first lines from novels
The First Sentence of a Book Report
How To Write A Killer First Sentence To Open Your Book
How to Write the First Sentence of a Book
The Most Important Sentence: How to Write a Killer Opening
Hook Your Reader from the First Sentence: How to Write Great Beginnings
Foreshadowing
Foreshadowing and the Red Hering
Narrative Elements: Foreshadowing
Foreshadowing and Suspense
Foreshadowing Key Details
Writing Fiction: Foreshadowing
The Literary Device of Foreshadowing
All About Foreshadowing in Fiction
Foreshadowing
Flashbacks and Foreshadowing
Foreshadowing — How and Why to Use It In Your Writing
Setting
Four Ways to Bring Settings to Life
Write a Setting for a Book
Writing Dynamic Settings
How To Make Your Setting a Character
Guide for Setting
5 Tips for Writing Better Settings
Building a Novel’s Setting
Ending
A Novel Ending
How to End Your Novel
How to End Your Novel 2
How to End a Novel With a Punch
How to End a Novel
How to Finish a Novel
How to Write The Ending of Your Novel
Keys to Great Endings
3 Things That End A Story Well
Ending a Novel: Five Things to Avoid
Endings that Ruin Your Novel
Closing Time: The Ending
Names
Behind the Name
Surname Meanings and Origins
Surname Meanings and Origins - A Free Dictionary of Surnames
Common US Surnames & Their Meanings
Last Name Meanings & Origins
Name Generators
Name Playground
Different Types of Characters
Ways To Describe a Personality
Character Traits Meme
Types of Characters
Types of Characters in Fiction
Seven Common Character Types
Six Types of Courageous Characters
Creating Fictional Characters (Masterlist)
Building Fictional Characters
Fiction Writer’s Character Chart
Character Building Workshop
Tips for Characterization
Fiction Writer’s Character Chart
Advantages, Disadvantages and Skills
Males
Strong Male Characters
The History and Nature of Man Friendships
Friendship for Guys (No Tears!)
‘I Love You, Man’ and the rules of male friendship
Male Friendship
Understanding Male Friendship
Straight male friendship, now with more cuddling
Character Development
P.O.V. And Background
Writing a Character: Questionnaire
10 Days of Character Building
Getting to Know Your Characters
Character Development Exercises
Chapters
How Many Chapters is the Right Amount of Chapters?
The Arbitrary Nature of the Chapter
How Long is a Chapter?
How Long Should Novel Chapters Be?
Chapter & Novel Lengths
Section vs. Scene Breaks
Dialogue
The Passion of Dialogue
25 Things You Should Know About Dialogue
Dialogue Writing Tips
Punctuation Dialogue
How to Write Believable Dialogue
Writing Dialogue: The Music of Speech
Writing Scenes with Many Characters
It’s Not What They Say …
Top 10 Tips for Writing Dialogue
Speaking of Dialogue
Dialogue Tips
Interrupted Dialogue
Two Tips for Interrupted Dialogue
Show, Don’t Tell (Description)
“Tell” Makes a Great Placeholder
The Literary Merit of the Grilled Cheese Sandwich
Bad Creative Writing Advice
The Ultimate Guide to Writing Better Than You Normally Do
DailyWritingTips: Show, Don’t Tell
GrammarGirl: Show, Don’t Tell
Writing Style: What Is It?
Detail Enhances Your Fiction
Using Sensory Details
Description in Fiction
Using Concrete Detail
Depth Through Perception
Showing Emotions & Feelings
Character Description
Describing Your Characters (by inkfish7 on DeviantArt)
Help with Character Development
Creating Characters that Jump Off the Page
Omitting Character Description
Introducing Your Character(s): DON’T
Character Crafting
Writer’s Relief Blog: “Character Development In Stories And Novels”
Article: How Do You Think Up Your Characters?
5 Character Points You May Be Ignoring
List of colors, hair types and hairstyles
List of words to use in a character’s description
200 words to describe hair
How to describe hair
Words used to describe the state of people’s hair
How to describe your haircut
Hair color sharts
Four Ways to Reveal Backstory
Words Used to Describe Clothes
Flashbacks
Using Flashbacks in Writing
Flashbacks by All Write
Using Flashback in Fiction
Fatal Backstory
Flashbacks as opening gambit
Don’t Begin at the Beginning
Flashbacks in Books
TVTropes: Flashback
Objects in the Mirror Are Closer Than They Appear: Flashback Techniques in Fiction
3 Tips for Writing Successful Flashbacks
The 5 Rules of Writing Effective Flashbacks
How to Handle Flashbacks In Writing
Flashbacks and Foreshadowing
Reddit Forum: Is a flashback in the first chapter a good idea?
Forum Discussing Flackbacks
P.O.V
You, Me, and XE - Points of View
What’s Your Point of View?
Establishing the Right Point of View: How to Avoid “Stepping Out of Character”
How to Start Writing in the Third Person
The Opposite Gender P.O.V.
LANGUAGE
How To Say Said
200 Words Instead of Said
Words to Use Instead of Said
A List of Words to Use Instead of Said
Alternatives to “Walk”
60 Synonyms for “Walk”
Grammar Monster
Google Scholar
GodChecker
Tip Of My Tounge
Speech Tags
Pixar Story Rules
Written? Kitten!
TED Talks
DarkCopy
Family Echo
Some Words About Word Count
How Long Should My Novel Be?
The Universal Mary Sue Litmus Test
Writer’s “Cheat Sheets”
Last but not least, the most helpful tool for any writer out there is Google!
I made these as a way to compile all the geographical vocabulary that I thought was useful and interesting for writers. Some descriptors share categories, and some are simplified, but for the most part everything is in its proper place. Not all the words are as useable as others, and some might take tricky wording to pull off, but I hope these prove useful to all you writers out there!
(save the images to zoom in on the pics)
Is mercy a sign of weakness in your eyes?
What is your primary motivation or value that drives your actions?
Are there any principles you refuse to compromise on, even in your pursuit of power?
Do you believe lying is justified if it serves your goals?
How do you manipulate others to achieve your ends?
Would you betray an ally to further your plans?
Do you believe in justice, or do you see it as a tool to manipulate others?
Would you sacrifice yourself for a cause or ambition?
Would you destroy something beautiful or innocent to achieve your goals?
If you had to choose between your ambition and the life of someone you care about, what would you do?
Do you feel any responsibility towards society, or do you act solely for your gain?
How do you justify your actions to yourself and others?
Can you forgive someone who has wronged you, or do you seek revenge?
How long do you hold grudges, and what actions might provoke them?
Do you respect any form of authority, or do you see yourself as the ultimate power?
These questions can help you delve into the psyche of your villain.
by Writerthreads on Instagram
A common problem writers face is "white room syndrome"—when scenes feel like they’re happening in an empty white room. To avoid this, it's important to describe settings in a way that makes them feel real and alive, without overloading readers with too much detail. Here are a few tips below to help!
You don’t need to describe everything in the scene—just pick a couple of specific, memorable details to bring the setting to life. Maybe it’s the creaky floorboards in an old house, the musty smell of a forgotten attic, or the soft hum of a refrigerator in a small kitchen. These little details help anchor the scene and give readers something to picture, without dragging the action with heaps of descriptions.
Instead of just focusing on what characters can see, try to incorporate all five senses—what do they hear, smell, feel, or even taste? Describe the smell of fresh bread from a nearby bakery, or the damp chill of a foggy morning. This adds a lot of depth and make the location feel more real and imaginable.
Have characters interact with the environment. How do your characters move through the space? Are they brushing their hands over a dusty bookshelf, shuffling through fallen leaves, or squeezing through a crowded subway car? Instead of dumping a paragraph of description, mix it in with the action or dialogue.
Sometimes, the setting can do more than just provide a backdrop—it can reinforce the mood of a scene or even reflect a theme in the story. A stormy night might enhance tension, while a warm, sunny day might highlight a moment of peace. The environment can add an extra layer to what’s happening symbolically.
The bookstore was tucked between two brick buildings, its faded sign creaking with every gust of wind. Inside, the air was thick with the scent of worn paper and dust, mingling with the faint aroma of freshly brewed coffee from a corner café down the street. The wooden floorboards groaned as Ella wandered between the shelves, her fingertips brushing the spines of forgotten novels. Somewhere in the back, the soft sound of jazz crackled from an ancient radio.
Hope these tips help in your writing!